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HDN

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    HDN got a reaction from MaximumRD for a blog entry, Metroid (and Metroid Zero Mission)   
    Revolutionary.
    This word is tossed around a lot when it comes to NES games. Indeed, a lot of NES games were groundbreaking titles unlike anything else people had seen on the Atari 2600, Colecovision, or any other system prior to 1985. Super Mario Brothers was revolutionary because it offered a game with a size unlike 99% of the previous generation's games. Zelda was revolutionary because it had a massive open world with secrets to explore in every nook in cranny, offering an adventure so vast that it had a battery installed in the game to save one's progress across multiple sessions without the need of a password. But what if we took both these games and mixed them together? We perhaps get the most influential game Nintendo has ever published on the NES. This is Metroid.

    Metroid was unlike anything else when it came out in 1986 for the Famicom Disk System. It barely had any precedent at all on home consoles at that point. The game had no score at all. It didn't even have levels (even Zelda had those to an extent). No, Metroid was truly a world you could explore to your heart's content. It seemed like there were secrets hidden everywhere, like there was no end to the game at all. Nowadays, the map of Metroid seems tiny, but back then it seemed to be a massive, sprawling, never-ending adventure.
    You start Metroid in the middle of a place called Brinstar. You control the little orange-and-red "space robot". He can jump shoot up, left, and right. He can't duck, he can't shoot down, he can't jump on enemies or shoot farther than a few feet from himself. In other words, you seem very limited and outmatched at this point in the game. Enemies are too close to the ground to be shot. You only start with thirty health and die in just a few hits. This is intentional.
    You head right, as anyone in 1986 or 1987 coming off of Super Mario Brothers would. Enemies crawl around the ground and swoop down at the space robot (maybe he's named Metroid?). You find out that shooting the blue hatches opens them and allows you to go into the next room. You keep heading right until...

    What's this? You're officially stuck. Remember, "Metroid" as we're calling him now can't crawl or duck, and the passage is too short to walk under. You TRY to duck under this passage, but pressing the down arrow doesn't seem to do anything at all. This means, at this point, there's absolutely no way to clear it. Out of desperation, you move left and realize that unlike Super Mario before it, Metroid allows you to go left. And if you keep going left, past the point in the game you started at, you'll find this:

    The game pauses for a moment as a jingle plays. This is the Morph Ball, sometimes called the Morphing Ball or Maru-Mari. The game doesn't show you what this strange ball-shaped item does with a text box or anything. It doesn't even tell you what the name of it is. But after collecting it, you'll soon find out that the passage you entered this place with is too high up for Metroid to jump to. The passage below you is too small to walk under either. So you try to duck again by pressing down on the D-Pad again, and this time something happens. That strange sphere seems to allow you to turn into a ball once collected! Now you can roll under the passage and get out of the area you got the item in. You immediately remember the narrow passage from earlier and start running right again, and this time, you're able to clear it. Then, Metroid truly starts.
    After this experience, you find out that Metroid is no Super Mario Brothers. This is a game you're going to have to pay more attention to. A game where you're going to have to spend countless hours looking for secrets that help you progress further in the game. You'll find obstacle after obstacle; blocks you can't break because you can't shoot down, red hatches impervious to your beam, areas too high to jump too, etc. Eventually, you'll find items like the Bombs, which are in Morph Ball mode and can be used to break blocks below you, Missiles that take out enemies quicker and let you open those red doors, and High-Jump Boots that let you jump higher than before. The Metroidvania genre is born.
    Let's back up a bit. What are you supposed to do in this game? Basically, there's a group of space pirates on the planet Zebes who are using and breeding life-sucking, jellyfish-like creatures called Metroids (yeah, you're not actually named Metroid, like how Link isn't named Zelda) to try to take over the galaxy. The galactic police have sent the bounty hunter Samus Aran (that's Metroid's real name) to defeat the space pirates alone. The brain behind the operation (pun intended) is the "mechanical life-vein" Mother Brain, who is basically a cybernetic supercomputer with extensive databases and networks throughout the planet. Her two main henchmen are the "mini-bosses" Kraid and Ridley, who live in their own lairs below Brinstar and Norfair respectively. While exploring the early parts of the game, you'll most likely come across a room with two statues and an inescapable pool of lava should you fall in. This is the road to Tourian, Mother Brain and the Metroids' hideout and the final area of the game. You'll need to come back to this place once you kill Kraid and Ridley. Then, once you shoot their now-flashing statues, a bridge will be built leading to the final stretch of the game. But first, you'll need to find them, which is easier said than done.
    Now is a good time to mention that the original Metroid on Famicom and NES didn't have a built in map. The game has five main areas to explore: Brinstar, a hub that connects most of the places together and is also the area you start out in, the firey Norfair, Kraid's and Ridley's lairs, and Tourian. That's quite a bit to keep in mind while playing, and in 1986 and 87, there was no Google to look for maps on. Your best bet was to draw out your own as you went along, or get Nintendo Power once that became a thing. That wouldn't be much of a problem if the game was easy to navigate on your own. Metroid requires you to take random shots in the dark until something works. For example, you may need to bomb a completely random floor tile in a random room that looks just like the hundreds of other floor tiles you've seen in the game to access a route to a boss's lair, or shoot out a random ceiling to access a crucial item. That's bad on its own, but Metroid also likes to blatantly copy/paste rooms over and over again. In Kraid's lair, for example, there are over a HALF-DOZEN rooms in the first shaft of the game that start out IDENTICALLY! This makes the game very frustrating to navigate around blindly, and coupling that with tougher enemies that hit harder in the later areas means that you'll end up dying a lot without making much progress.
    And that leads to another thing: dying. Dying in Metroid is brutal. Throughout the game, you can find energy tanks that increase your max health by 100 HP. Despite that, however, every time you die Metroid will start you off at the beginning of the area you died in with only 30 HP, the same amount you started with when you first arrived on Zebes. That means that you'll have to spend dozens of minutes of your time shooting enemies and grinding the health refills they occasionally drop. Each health pickup restores 5 HP, and the drop rates are very, very low. You'll likely spend your time standing in one spot next to an enemy spawner holding down the B button to shoot until you collect enough health to continue on exploring. There are no other ways to recharge your energy or missiles. This happens every single time you die, and you don't stand a snowball's chance in Norfair surviving unless you grind for health. The energy tanks do refill your health to the max, but there are only a few of them in the game and once you run out of them, you'll have to grind. This is EASILY the worst part about this game. Metroid is brutal, with hard-hitting enemies, instant death pits, and cheap deaths aplenty (you can even get killed during room transitions). This sucks the fun right out of the game for many people. I've gotten to the point where I almost never die in a playthrough, but even if you load up your game via a password you STILL start with 30 health and have to grind. This isn't fun. It's just padding.

    Throughout your journey, you'll find many more items to help you reach places you couldn't before. I've already mentioned the Missiles, Energy Tanks, High-Jump Boots, and Bombs, but there are much more than just that. Alongside Samus's peashooter he gets at the beginning of the game, he gets three more basic guns. The Long Beam is the only beam in the game that stacks on top of others in the game. This simply allows Samus's bullets to travel across the entire length of the screen instead of disappearing a few feet from his face. The other two beams, the Ice Beam and the Wave Beam, can't be used with each other. The ice beam will temporarily freeze enemies and allow Samus to use them as platforms, though they require twice as many shots to kill. The Wave Beam can travel through solid objects and travels in a sine wave pattern, finally allowing Samus to shoot the ground-based enemies shorter than him. Sadly though, the Wave Beam is somewhat pointless in the game as the toughest enemies in the game, the eponymous Metroids, can only be disposed of once frozen and shot with five missiles. Speaking of missiles, they are completely separate from the beam weapons. Missiles, unlike the beams, have limited ammo. You can increase your maximum amount of missiles you can carry by collecting more missile tanks scattered about the world, each one bumping the limit up by five. These missiles become quite important when it comes to the bosses and the final area of the game. You simply press the select button to toggle between the beams and missiles, and that's as advanced as inventory management gets in this game.
    You also have items like that Varia Suit and Screw Attack. These are completely optional and good bonuses for those who were able to find them. The Screw Attack charges your running jump with electricity, allowing Samus to instantly kill almost anything just by jumping into it. The Varia Suit (which can be seen in the second picture) is a pink palette swap of Samus that simply doubles his defense. The suit will become much more utilized in later games, but here it simply acts as a defense boost.
    Let's talk about those mini-bosses, Mother Brain's henchmen Kraid and Ridley. Technically, you're supposed to fight Kraid first, but the game is so open-ended and nonlinear that you can fight them in any order without the game stopping you. Kraid's lair is incredibly hard to navigate. The enemies do a ton of damage and the layout of the place is so confusing that it's nearly impossible to find Kraid without a map. It's so BS that you even find a fake version of the boss. Who does that? EVENTUALLY, you will find the real Kraid, though. He's easily the harder of the two. He'll shoot spikes out of his stomach and through his toenails at you without mercy. The best plan of attack here is to freeze the center spike in place, drop into Morph Ball mode, and spam bombs that'll hopefully blow up in his face. Hopefully you'll have enough energy to damage-boost your way through the fight and have Kraid die before you do. When he dies, you'll get 75 more missiles and begin the worst section in the game.
    There is a tower in the chasm that leads to Kraid's boss room made completely of breakable blocks. This tower is no wider than one block and goes up for several screens. You have to shoot a hole in the block tower, shoot the blocks above you, and keep jumping until the blocks respawn below your feet. This requires precise timing and persistence, as if the blocks respawn ON TOP OF you, you'll take damage and be knocked back, falling off the impossibly high tower and having to start all over again. This is outright terrible game design. I have the timing down now that I've played the game for years, but initially this seemed completely impossible. This has absolutely no reason to be in the game other than to pad the length and frustrate players. You're better off committing suicide back at Kraid's room and respawning back at the beginning of his lair.

    Navigating through Norfair will eventually lead you to Ridley's lair. His lair is a lot more straightforward and less labyrinthine than Kraid's, but the enemies are even more aggressive and dangerous to make up for it. Once you find Ridley, he's super easy. Simply freeze his fireballs midair (he won't shoot more until they unfreeze) and pump him full of missiles. Then he just dies and you get 75 more missiles. Yeah, if you couldn't tell, these first two bosses are terrible. This is one of the most broken boss fights in any game I've ever seen. I don't think I've died to this guy a single time before. But that's okay. The game more than makes up for it in just a few minutes.
    Before we get to that though, I want to tell you all about what this game means to me.
    One of my first games ever was Super Metroid, and it immediately became my favorite game. I was only four or five years old (I can't remember if it was 2010 or late 2009) when I started playing it with my dad (he did most of the playing anyways), and that experience really influenced my gaming tastes for the future. We did get stuck a few times, though, and used YouTube walkthroughs to help us. Sometimes the tab would be open and I would click around YouTube and watch the videos that they played. I couldn't really read at the time and just clicked the videos based on the thumbnails. Thankfully I didn't find any naughty things I shouldn't have been watching, thank God. What I did find was a different Metroid game. This game looked AWESOME to me back when I was little. It looked like Super Metroid, but the graphics weren't as good. I really wanted to play it. I assumed, based on the inferior graphics, that it was an older game, but I thought at the time it was the original Metroid. I now know it was actually Metroid 2 played on a Game Boy Player. So my dad, bless his soul, persuaded his brother to give me his old NES and went to the now-long-defunct Star Video and bought a used copy of Metroid for me. This was back in the day when you could buy expensive NES games like Metroid and Castlevania for like five dollars, which is what he paid for those two games. Only one problem though: the NES didn't work. At all. It was in the shop being repaired for what seemed like an eternity, and I spent much of my time laying on the sunroom floor, staring at that silver Metroid cartridge, waiting for the day to play it.
    When the NES finally was fixed, I eagerly popped in the game once my dad set the system up, and... I got this. I was completely wrong; the Metroid I wanted was actually the SECOND game, not the first! I was only disappointed for a second though. I really liked this game. I was terrible at it but I played it a lot. Though I still really wanted to play Metroid II, but it would be five years before I would have the chance to.
    My dad started up a caramel business in 2013 for reasons I don't want to get into here. He leased out a building that used to be a diner called The Villa to use the commercial kitchen in to make the caramel and sell it at farmers markets. Nothing was sold out of the building, so my sister and I had the entire front of it to ourselves. The front of The Villa was a piece of garbage, though the kitchen was perfectly fine. Every spring there would be a giant puddle of water in the middle of the place, and during the winter there would be no heating or anything. There were also no bathrooms. My parents didn't trust us kids home alone yet, so we had to stay there for hours at a time while my dad and his business partner Jon (same Jon as Atari Jon) made stuff. Our only entertainment was a couple of my sister's Barbies, the NES, and like seven games. One of which was Metroid. I remember playing that game quite a bit there and I have fond memories of repeatedly starting new games and telling myself I was going to beat it this time, only to get stuck in Kraid's lair and quit every single time. Still, it's a fond memory.
    I eventually got good enough at this game and beat it, though I gave in and used a map. I think I was 11 when I did this on the 3DS Virtual Console. Nowadays I can beat the game effortlessly with a map and well enough without one. I have had a map of this game and its direct sequel hanging on my wall for years now. I do love this game, though I will admit it has not stood the test of time.
    Anyways, let's see what Samus is doing.
    As you leave Norfair and make your way back to the statue room, you realize how powerful Samus has become. Rooms that you once struggled with now are cakewalks. As you climb the same vertical shaft you did at the start of the game to get to Tourian, you feel really good about how far you've come. As soon as you shoot the statues and build the bridge, though, that feeling of power turns into one of pure dread and helplessness.

     This is Tourian, the final area of the game.That green thing is a Metroid, this game's namesake. These are the toughest enemies in the game by far. They dart towards Samus with unparalleled speed and latch on to him, rapidly sucking his energy away. The only way to escape is to lay down bombs and hope the Metroid loses its grip. To kill one, Samus must freeze one with the Ice Beam and shoot it with missiles five times. Metroids are always generous enough to drop loads of missiles and energy when they die. And you'll need every bit of them you can get for the final battle.

    This is the final battle. Before this, Samus must shoot down several "Zebetite" barriers that can only be destroyed by missiles, which is a pain in itself. The fight against Mother Brain, though, stands alongside the block tower as the most frustrating part of the game. You'll need all the energy you can get to stand a chance here. The floor is lava and the platforms are small. Cheerio-like Rinkas and acid turrets are shooting at you as you try to pump Mother Brain full of missiles. These nearly-unavoidable attacks will send Samus into the lava, which is very hard to get out of. And remember, if you die here, it's back to the start of Tourian with only thirty health. Eventually though, you'll blow up Mother Brain, who will set off a self-destruct sequence that'll blow Tourian to smithereens. The last room of the game involves Samus climbing to the top of a large shaft on tiny platforms while a timer ticks away. If you make it to the top of the elevator and have beat the game fast enough, you'll see one of the most shocking moments in video game history:

     
    SAMUS IS A GIRL?!?!
    This came as a shock to many back in the day. You almost never saw a woman in the leading role of a game before. In most games at the time, women were the damsels in distress meant to be saved by a male character, like Princess Peach or Zelda. They were almost never badass, awesome space bounty hunters. The game's manual even keeps this a secret by referring to Samus using only male pronouns, which is why I used them in this blog up to this point. This game was incredibly progressive at the time, not just for influence but for women's representation in games. And though the whole goal of "beating the game faster so more suit comes off" isn't GREAT by today's standards, I suppose you have got to walk before you can run.
    So that's the end of Metroid. Has it aged well?
    NO.
    This game is frustrating in almost every way possible. I might like it, but I would never, NEVER recommend this game to someone playing the series for the first time. To the right kind of person, though, I'd recommend this game with a map. For most, though, Metroid is nothing more than a historical curiosity for those who just want to see where the series started.

    In 2004, however, Metroid recieved a full, ground-up remake for the GBA: Metroid Zero Mission. I won't be going into too much detail with this game (I might cover it more in the future), but I will say that it does improve almost everything from the original. The map is incredibly faithful to the original game, but slightly different, though that has the unfortunate side effect of making the game incredibly short. There are now save rooms and places to recharge your health and ammo. The secrets are more well-hidden and the levels better designed. The bosses are actually bosses this time, and there's more of them. Items and abilities from Samus's later adventures are here too. It even has a special surprise twist at the end. This game is pretty good and completely replaces the original, even going as far as including the original game as an unlockable when you beat the game on any difficulty.
    Zero Mission, unlike the original game, is a GREAT place to start with the 2D Metroid series. A little too great. You see, I actually don't care much for this game because I feel that it thinks I'm stupid. Metroid Zero Mission, to ME at least, seems like "Baby's First Metroid". Unless I'm trying to collect everything, I don't think this game is much better than "good". I seem to be the only person to think that, though, so please don't listen to me and play it.
    And that wraps up Metroid and its remake. These games are good, don't get me wrong, but as far as the 2D Metroid series goes, every other game in the series beats them to a pulp. I still pull out Metroid every few months and have a blast with it, and Zero Mission has been growing on me more and more the past few months since I got a repro cart for my GBA. All the 2D Metroids are great games, but these two are slightly less great than the rest, at least to me. This shows us, though, that there is a lot more to look forward to in the series. And that's coming very soon.
    Next week: Metroid's flaws are ironed out in my favorite Game Boy game, and Samus starts two new eras of 2D Metroid twenty-six years apart.
     
    I hope you are enjoying Month of Metroid so far. This took me a long time to write! Hopefully you guys like this and consider trying out the Metroid series. It's not my favorite series ever without a reason.
  2. Like
    HDN got a reaction from Atari 5200 Guy for a blog entry, Metroid (and Metroid Zero Mission)   
    Revolutionary.
    This word is tossed around a lot when it comes to NES games. Indeed, a lot of NES games were groundbreaking titles unlike anything else people had seen on the Atari 2600, Colecovision, or any other system prior to 1985. Super Mario Brothers was revolutionary because it offered a game with a size unlike 99% of the previous generation's games. Zelda was revolutionary because it had a massive open world with secrets to explore in every nook in cranny, offering an adventure so vast that it had a battery installed in the game to save one's progress across multiple sessions without the need of a password. But what if we took both these games and mixed them together? We perhaps get the most influential game Nintendo has ever published on the NES. This is Metroid.

    Metroid was unlike anything else when it came out in 1986 for the Famicom Disk System. It barely had any precedent at all on home consoles at that point. The game had no score at all. It didn't even have levels (even Zelda had those to an extent). No, Metroid was truly a world you could explore to your heart's content. It seemed like there were secrets hidden everywhere, like there was no end to the game at all. Nowadays, the map of Metroid seems tiny, but back then it seemed to be a massive, sprawling, never-ending adventure.
    You start Metroid in the middle of a place called Brinstar. You control the little orange-and-red "space robot". He can jump shoot up, left, and right. He can't duck, he can't shoot down, he can't jump on enemies or shoot farther than a few feet from himself. In other words, you seem very limited and outmatched at this point in the game. Enemies are too close to the ground to be shot. You only start with thirty health and die in just a few hits. This is intentional.
    You head right, as anyone in 1986 or 1987 coming off of Super Mario Brothers would. Enemies crawl around the ground and swoop down at the space robot (maybe he's named Metroid?). You find out that shooting the blue hatches opens them and allows you to go into the next room. You keep heading right until...

    What's this? You're officially stuck. Remember, "Metroid" as we're calling him now can't crawl or duck, and the passage is too short to walk under. You TRY to duck under this passage, but pressing the down arrow doesn't seem to do anything at all. This means, at this point, there's absolutely no way to clear it. Out of desperation, you move left and realize that unlike Super Mario before it, Metroid allows you to go left. And if you keep going left, past the point in the game you started at, you'll find this:

    The game pauses for a moment as a jingle plays. This is the Morph Ball, sometimes called the Morphing Ball or Maru-Mari. The game doesn't show you what this strange ball-shaped item does with a text box or anything. It doesn't even tell you what the name of it is. But after collecting it, you'll soon find out that the passage you entered this place with is too high up for Metroid to jump to. The passage below you is too small to walk under either. So you try to duck again by pressing down on the D-Pad again, and this time something happens. That strange sphere seems to allow you to turn into a ball once collected! Now you can roll under the passage and get out of the area you got the item in. You immediately remember the narrow passage from earlier and start running right again, and this time, you're able to clear it. Then, Metroid truly starts.
    After this experience, you find out that Metroid is no Super Mario Brothers. This is a game you're going to have to pay more attention to. A game where you're going to have to spend countless hours looking for secrets that help you progress further in the game. You'll find obstacle after obstacle; blocks you can't break because you can't shoot down, red hatches impervious to your beam, areas too high to jump too, etc. Eventually, you'll find items like the Bombs, which are in Morph Ball mode and can be used to break blocks below you, Missiles that take out enemies quicker and let you open those red doors, and High-Jump Boots that let you jump higher than before. The Metroidvania genre is born.
    Let's back up a bit. What are you supposed to do in this game? Basically, there's a group of space pirates on the planet Zebes who are using and breeding life-sucking, jellyfish-like creatures called Metroids (yeah, you're not actually named Metroid, like how Link isn't named Zelda) to try to take over the galaxy. The galactic police have sent the bounty hunter Samus Aran (that's Metroid's real name) to defeat the space pirates alone. The brain behind the operation (pun intended) is the "mechanical life-vein" Mother Brain, who is basically a cybernetic supercomputer with extensive databases and networks throughout the planet. Her two main henchmen are the "mini-bosses" Kraid and Ridley, who live in their own lairs below Brinstar and Norfair respectively. While exploring the early parts of the game, you'll most likely come across a room with two statues and an inescapable pool of lava should you fall in. This is the road to Tourian, Mother Brain and the Metroids' hideout and the final area of the game. You'll need to come back to this place once you kill Kraid and Ridley. Then, once you shoot their now-flashing statues, a bridge will be built leading to the final stretch of the game. But first, you'll need to find them, which is easier said than done.
    Now is a good time to mention that the original Metroid on Famicom and NES didn't have a built in map. The game has five main areas to explore: Brinstar, a hub that connects most of the places together and is also the area you start out in, the firey Norfair, Kraid's and Ridley's lairs, and Tourian. That's quite a bit to keep in mind while playing, and in 1986 and 87, there was no Google to look for maps on. Your best bet was to draw out your own as you went along, or get Nintendo Power once that became a thing. That wouldn't be much of a problem if the game was easy to navigate on your own. Metroid requires you to take random shots in the dark until something works. For example, you may need to bomb a completely random floor tile in a random room that looks just like the hundreds of other floor tiles you've seen in the game to access a route to a boss's lair, or shoot out a random ceiling to access a crucial item. That's bad on its own, but Metroid also likes to blatantly copy/paste rooms over and over again. In Kraid's lair, for example, there are over a HALF-DOZEN rooms in the first shaft of the game that start out IDENTICALLY! This makes the game very frustrating to navigate around blindly, and coupling that with tougher enemies that hit harder in the later areas means that you'll end up dying a lot without making much progress.
    And that leads to another thing: dying. Dying in Metroid is brutal. Throughout the game, you can find energy tanks that increase your max health by 100 HP. Despite that, however, every time you die Metroid will start you off at the beginning of the area you died in with only 30 HP, the same amount you started with when you first arrived on Zebes. That means that you'll have to spend dozens of minutes of your time shooting enemies and grinding the health refills they occasionally drop. Each health pickup restores 5 HP, and the drop rates are very, very low. You'll likely spend your time standing in one spot next to an enemy spawner holding down the B button to shoot until you collect enough health to continue on exploring. There are no other ways to recharge your energy or missiles. This happens every single time you die, and you don't stand a snowball's chance in Norfair surviving unless you grind for health. The energy tanks do refill your health to the max, but there are only a few of them in the game and once you run out of them, you'll have to grind. This is EASILY the worst part about this game. Metroid is brutal, with hard-hitting enemies, instant death pits, and cheap deaths aplenty (you can even get killed during room transitions). This sucks the fun right out of the game for many people. I've gotten to the point where I almost never die in a playthrough, but even if you load up your game via a password you STILL start with 30 health and have to grind. This isn't fun. It's just padding.

    Throughout your journey, you'll find many more items to help you reach places you couldn't before. I've already mentioned the Missiles, Energy Tanks, High-Jump Boots, and Bombs, but there are much more than just that. Alongside Samus's peashooter he gets at the beginning of the game, he gets three more basic guns. The Long Beam is the only beam in the game that stacks on top of others in the game. This simply allows Samus's bullets to travel across the entire length of the screen instead of disappearing a few feet from his face. The other two beams, the Ice Beam and the Wave Beam, can't be used with each other. The ice beam will temporarily freeze enemies and allow Samus to use them as platforms, though they require twice as many shots to kill. The Wave Beam can travel through solid objects and travels in a sine wave pattern, finally allowing Samus to shoot the ground-based enemies shorter than him. Sadly though, the Wave Beam is somewhat pointless in the game as the toughest enemies in the game, the eponymous Metroids, can only be disposed of once frozen and shot with five missiles. Speaking of missiles, they are completely separate from the beam weapons. Missiles, unlike the beams, have limited ammo. You can increase your maximum amount of missiles you can carry by collecting more missile tanks scattered about the world, each one bumping the limit up by five. These missiles become quite important when it comes to the bosses and the final area of the game. You simply press the select button to toggle between the beams and missiles, and that's as advanced as inventory management gets in this game.
    You also have items like that Varia Suit and Screw Attack. These are completely optional and good bonuses for those who were able to find them. The Screw Attack charges your running jump with electricity, allowing Samus to instantly kill almost anything just by jumping into it. The Varia Suit (which can be seen in the second picture) is a pink palette swap of Samus that simply doubles his defense. The suit will become much more utilized in later games, but here it simply acts as a defense boost.
    Let's talk about those mini-bosses, Mother Brain's henchmen Kraid and Ridley. Technically, you're supposed to fight Kraid first, but the game is so open-ended and nonlinear that you can fight them in any order without the game stopping you. Kraid's lair is incredibly hard to navigate. The enemies do a ton of damage and the layout of the place is so confusing that it's nearly impossible to find Kraid without a map. It's so BS that you even find a fake version of the boss. Who does that? EVENTUALLY, you will find the real Kraid, though. He's easily the harder of the two. He'll shoot spikes out of his stomach and through his toenails at you without mercy. The best plan of attack here is to freeze the center spike in place, drop into Morph Ball mode, and spam bombs that'll hopefully blow up in his face. Hopefully you'll have enough energy to damage-boost your way through the fight and have Kraid die before you do. When he dies, you'll get 75 more missiles and begin the worst section in the game.
    There is a tower in the chasm that leads to Kraid's boss room made completely of breakable blocks. This tower is no wider than one block and goes up for several screens. You have to shoot a hole in the block tower, shoot the blocks above you, and keep jumping until the blocks respawn below your feet. This requires precise timing and persistence, as if the blocks respawn ON TOP OF you, you'll take damage and be knocked back, falling off the impossibly high tower and having to start all over again. This is outright terrible game design. I have the timing down now that I've played the game for years, but initially this seemed completely impossible. This has absolutely no reason to be in the game other than to pad the length and frustrate players. You're better off committing suicide back at Kraid's room and respawning back at the beginning of his lair.

    Navigating through Norfair will eventually lead you to Ridley's lair. His lair is a lot more straightforward and less labyrinthine than Kraid's, but the enemies are even more aggressive and dangerous to make up for it. Once you find Ridley, he's super easy. Simply freeze his fireballs midair (he won't shoot more until they unfreeze) and pump him full of missiles. Then he just dies and you get 75 more missiles. Yeah, if you couldn't tell, these first two bosses are terrible. This is one of the most broken boss fights in any game I've ever seen. I don't think I've died to this guy a single time before. But that's okay. The game more than makes up for it in just a few minutes.
    Before we get to that though, I want to tell you all about what this game means to me.
    One of my first games ever was Super Metroid, and it immediately became my favorite game. I was only four or five years old (I can't remember if it was 2010 or late 2009) when I started playing it with my dad (he did most of the playing anyways), and that experience really influenced my gaming tastes for the future. We did get stuck a few times, though, and used YouTube walkthroughs to help us. Sometimes the tab would be open and I would click around YouTube and watch the videos that they played. I couldn't really read at the time and just clicked the videos based on the thumbnails. Thankfully I didn't find any naughty things I shouldn't have been watching, thank God. What I did find was a different Metroid game. This game looked AWESOME to me back when I was little. It looked like Super Metroid, but the graphics weren't as good. I really wanted to play it. I assumed, based on the inferior graphics, that it was an older game, but I thought at the time it was the original Metroid. I now know it was actually Metroid 2 played on a Game Boy Player. So my dad, bless his soul, persuaded his brother to give me his old NES and went to the now-long-defunct Star Video and bought a used copy of Metroid for me. This was back in the day when you could buy expensive NES games like Metroid and Castlevania for like five dollars, which is what he paid for those two games. Only one problem though: the NES didn't work. At all. It was in the shop being repaired for what seemed like an eternity, and I spent much of my time laying on the sunroom floor, staring at that silver Metroid cartridge, waiting for the day to play it.
    When the NES finally was fixed, I eagerly popped in the game once my dad set the system up, and... I got this. I was completely wrong; the Metroid I wanted was actually the SECOND game, not the first! I was only disappointed for a second though. I really liked this game. I was terrible at it but I played it a lot. Though I still really wanted to play Metroid II, but it would be five years before I would have the chance to.
    My dad started up a caramel business in 2013 for reasons I don't want to get into here. He leased out a building that used to be a diner called The Villa to use the commercial kitchen in to make the caramel and sell it at farmers markets. Nothing was sold out of the building, so my sister and I had the entire front of it to ourselves. The front of The Villa was a piece of garbage, though the kitchen was perfectly fine. Every spring there would be a giant puddle of water in the middle of the place, and during the winter there would be no heating or anything. There were also no bathrooms. My parents didn't trust us kids home alone yet, so we had to stay there for hours at a time while my dad and his business partner Jon (same Jon as Atari Jon) made stuff. Our only entertainment was a couple of my sister's Barbies, the NES, and like seven games. One of which was Metroid. I remember playing that game quite a bit there and I have fond memories of repeatedly starting new games and telling myself I was going to beat it this time, only to get stuck in Kraid's lair and quit every single time. Still, it's a fond memory.
    I eventually got good enough at this game and beat it, though I gave in and used a map. I think I was 11 when I did this on the 3DS Virtual Console. Nowadays I can beat the game effortlessly with a map and well enough without one. I have had a map of this game and its direct sequel hanging on my wall for years now. I do love this game, though I will admit it has not stood the test of time.
    Anyways, let's see what Samus is doing.
    As you leave Norfair and make your way back to the statue room, you realize how powerful Samus has become. Rooms that you once struggled with now are cakewalks. As you climb the same vertical shaft you did at the start of the game to get to Tourian, you feel really good about how far you've come. As soon as you shoot the statues and build the bridge, though, that feeling of power turns into one of pure dread and helplessness.

     This is Tourian, the final area of the game.That green thing is a Metroid, this game's namesake. These are the toughest enemies in the game by far. They dart towards Samus with unparalleled speed and latch on to him, rapidly sucking his energy away. The only way to escape is to lay down bombs and hope the Metroid loses its grip. To kill one, Samus must freeze one with the Ice Beam and shoot it with missiles five times. Metroids are always generous enough to drop loads of missiles and energy when they die. And you'll need every bit of them you can get for the final battle.

    This is the final battle. Before this, Samus must shoot down several "Zebetite" barriers that can only be destroyed by missiles, which is a pain in itself. The fight against Mother Brain, though, stands alongside the block tower as the most frustrating part of the game. You'll need all the energy you can get to stand a chance here. The floor is lava and the platforms are small. Cheerio-like Rinkas and acid turrets are shooting at you as you try to pump Mother Brain full of missiles. These nearly-unavoidable attacks will send Samus into the lava, which is very hard to get out of. And remember, if you die here, it's back to the start of Tourian with only thirty health. Eventually though, you'll blow up Mother Brain, who will set off a self-destruct sequence that'll blow Tourian to smithereens. The last room of the game involves Samus climbing to the top of a large shaft on tiny platforms while a timer ticks away. If you make it to the top of the elevator and have beat the game fast enough, you'll see one of the most shocking moments in video game history:

     
    SAMUS IS A GIRL?!?!
    This came as a shock to many back in the day. You almost never saw a woman in the leading role of a game before. In most games at the time, women were the damsels in distress meant to be saved by a male character, like Princess Peach or Zelda. They were almost never badass, awesome space bounty hunters. The game's manual even keeps this a secret by referring to Samus using only male pronouns, which is why I used them in this blog up to this point. This game was incredibly progressive at the time, not just for influence but for women's representation in games. And though the whole goal of "beating the game faster so more suit comes off" isn't GREAT by today's standards, I suppose you have got to walk before you can run.
    So that's the end of Metroid. Has it aged well?
    NO.
    This game is frustrating in almost every way possible. I might like it, but I would never, NEVER recommend this game to someone playing the series for the first time. To the right kind of person, though, I'd recommend this game with a map. For most, though, Metroid is nothing more than a historical curiosity for those who just want to see where the series started.

    In 2004, however, Metroid recieved a full, ground-up remake for the GBA: Metroid Zero Mission. I won't be going into too much detail with this game (I might cover it more in the future), but I will say that it does improve almost everything from the original. The map is incredibly faithful to the original game, but slightly different, though that has the unfortunate side effect of making the game incredibly short. There are now save rooms and places to recharge your health and ammo. The secrets are more well-hidden and the levels better designed. The bosses are actually bosses this time, and there's more of them. Items and abilities from Samus's later adventures are here too. It even has a special surprise twist at the end. This game is pretty good and completely replaces the original, even going as far as including the original game as an unlockable when you beat the game on any difficulty.
    Zero Mission, unlike the original game, is a GREAT place to start with the 2D Metroid series. A little too great. You see, I actually don't care much for this game because I feel that it thinks I'm stupid. Metroid Zero Mission, to ME at least, seems like "Baby's First Metroid". Unless I'm trying to collect everything, I don't think this game is much better than "good". I seem to be the only person to think that, though, so please don't listen to me and play it.
    And that wraps up Metroid and its remake. These games are good, don't get me wrong, but as far as the 2D Metroid series goes, every other game in the series beats them to a pulp. I still pull out Metroid every few months and have a blast with it, and Zero Mission has been growing on me more and more the past few months since I got a repro cart for my GBA. All the 2D Metroids are great games, but these two are slightly less great than the rest, at least to me. This shows us, though, that there is a lot more to look forward to in the series. And that's coming very soon.
    Next week: Metroid's flaws are ironed out in my favorite Game Boy game, and Samus starts two new eras of 2D Metroid twenty-six years apart.
     
    I hope you are enjoying Month of Metroid so far. This took me a long time to write! Hopefully you guys like this and consider trying out the Metroid series. It's not my favorite series ever without a reason.
  3. Like
    HDN got a reaction from Justin for a blog entry, Flag Capture on VCS | Hard to Capture in the Wild   
    Recently, I have been thinking of my favorite games on the Atari VCS and coming to the realization that I have some pretty unpopular tastes. Pac-Man, the "worst video game ever", in my number two spot? Donkey Kong closely behind at number three? Artillery Duel in the top-ten? Video Chess near the top of my most-wanted list? These are some pretty unpopular, if not downright hated games. What's more, some of the 2600's most beloved games, like Yars' Revenge, Adventure, and Pitfall!, aren't near the top of my list. Not that I dislike these games; quite the contrary. I just have some that I prefer more.
    This also got me thinking of Flag Capture. Ever since the Wii2600 days, I have really liked this game. I'm very fortunate to have people in my life, particularly my dad, who will sit down and play Atari with me. My dad and I like to play video games together sometimes. With some experimentation, I have found that it is most fun to play the older, simpler games together, like 2600 through Super NES. I've also found that it's more fun to play games with direct competition rather than co-op. This game was always a fun one to play on the Wii or Atari Anthology on XBOX.
    Strangely, I've found that this is one of the more hated games on the system. It's not as famous as Pac-Man or ET are as Flag Capture (released by Sears as simply Capture) didn't sell too well. I never understood the hate for this one.
    This is also one of the less common games for the system. Not terribly rare, but I've never found one in the wild. And believe me, I've tried. This one was very elusive. I've found XONOX Double Enders in the wild at my regular used-game store. I saw a JVC X'Eye, a Sega Nomad, and a CIB Jaguar there, too. Motor Psycho, sure! Tengen Tetris, you betcha! But no Flag Capture. I simply couldn't find it in the 2600 rack, and I looked every time. Thankfully, Flag Capture isn't terribly sought-after and still goes for pretty cheap; about the same price as your average 2600 game.
    So where did I get my copy of Flag Capture after all? I never did find it at that store, despite their large 2600 collection. Instead, Atari.io's very own @socrates63 kindly sent it to me. Young was kind enough to send me something from our recent Retro Junk Box, which I was unable to participate in. What I didn't know at the time is that he was going to send SOMETHINGS, plural. Flag Capture was a big surprise for me. Thanks, Young!

    Flag Capture was released in 1978 for the Atari VCS and contains 10 "Video Games". Developed by Jim Huether, Flag Capture was initially designed as an adaptation of Stratego. If you're unfamiliar with Stratego, it's a board game that involves teams of two players traversing across the board attempting to capture the opponent's flag piece. Each of the pieces is assigned a number, one through ten, and the design of the pieces shields what it is from the opponent. If two pieces touch each other, the piece with the lower number is discarded. Along with the numbered pieces are spies, which are the only pieces that can kill the number ten pieces, bombs, which will blow up anyone who comes in contact with it (except 3), and the flag. On each turn, you can move one piece one space (except for twos which behave like rooks in chess) in any cardinal direction. Think of Stratego like Chess with a pecking order and end goal. I'm not very good at the game, but I enjoy it quite a bit.

    Due to the limitations of the VCS and the 2k ROM cartridges of the time, Huether couldn't make a straight port of the game to the lowly 2600. Instead, he took the core element of the game, finding the flag, and ran with it. What we're left with is Flag Capture, which plays like a mix of Stratego and Minesweeper.

    Flag capture is certainly a unique experience on the 2600. For most of the variations, two players go around the 7x9 grid of squares searching for the flag before the other. Each player can press the button while on a square to search underneath it. Several clues aid the player towards the whereabouts of the hidden flag. One could find arrows pointing in the general direction of the flag, numbers indicating how many spaces away the flag is from the player, and devious bombs that send the player back to their corner of origin. The goal of most two-player variations is to find the flag fifteen times before the opponent. Especially in the first variation, games between players can get pretty hectic and fun.
    The variations are where the game really shines. The default mode has both players freely moving around the grid simultaneously. This mode challenges players to not only think faster and smarter than their opponents, but also use their reflexes to get to the right block before the other. If you'd prefer something a bit slower-paced, there is also a mode in which both players take turns moving around and checking spaces, a bit like a board game. There are also modes in which both players solve their own individual flag puzzles and compete to see who can get the flag in the least amount of space-checks, as well as variations where the flag will move after every space checked.
    If you're going solo, Flag Capture has you covered to an extent. The last few variations are one-player time trial modes. You must find the flag as many times as you can within 75 seconds. This game mode is fine, though it's missing a little something without another player. Still, Flag Capture has a much better for a single player than many other 1970's games on the VCS. I'd rather play Flag Capture by myself than Combat or Outlaw.
    Flag Capture, while not a must-have for the system, is a worthwhile pickup if you can find it. Especially if you have another person willing to play Atari 2600 with you, Flag Capture is a spectacular time. I'd say that Flag Capture is one of the better 2600 games of the 1970's.
     
  4. Like
    HDN got a reaction from Justin for a blog entry, Metroid (and Metroid Zero Mission)   
    Revolutionary.
    This word is tossed around a lot when it comes to NES games. Indeed, a lot of NES games were groundbreaking titles unlike anything else people had seen on the Atari 2600, Colecovision, or any other system prior to 1985. Super Mario Brothers was revolutionary because it offered a game with a size unlike 99% of the previous generation's games. Zelda was revolutionary because it had a massive open world with secrets to explore in every nook in cranny, offering an adventure so vast that it had a battery installed in the game to save one's progress across multiple sessions without the need of a password. But what if we took both these games and mixed them together? We perhaps get the most influential game Nintendo has ever published on the NES. This is Metroid.

    Metroid was unlike anything else when it came out in 1986 for the Famicom Disk System. It barely had any precedent at all on home consoles at that point. The game had no score at all. It didn't even have levels (even Zelda had those to an extent). No, Metroid was truly a world you could explore to your heart's content. It seemed like there were secrets hidden everywhere, like there was no end to the game at all. Nowadays, the map of Metroid seems tiny, but back then it seemed to be a massive, sprawling, never-ending adventure.
    You start Metroid in the middle of a place called Brinstar. You control the little orange-and-red "space robot". He can jump shoot up, left, and right. He can't duck, he can't shoot down, he can't jump on enemies or shoot farther than a few feet from himself. In other words, you seem very limited and outmatched at this point in the game. Enemies are too close to the ground to be shot. You only start with thirty health and die in just a few hits. This is intentional.
    You head right, as anyone in 1986 or 1987 coming off of Super Mario Brothers would. Enemies crawl around the ground and swoop down at the space robot (maybe he's named Metroid?). You find out that shooting the blue hatches opens them and allows you to go into the next room. You keep heading right until...

    What's this? You're officially stuck. Remember, "Metroid" as we're calling him now can't crawl or duck, and the passage is too short to walk under. You TRY to duck under this passage, but pressing the down arrow doesn't seem to do anything at all. This means, at this point, there's absolutely no way to clear it. Out of desperation, you move left and realize that unlike Super Mario before it, Metroid allows you to go left. And if you keep going left, past the point in the game you started at, you'll find this:

    The game pauses for a moment as a jingle plays. This is the Morph Ball, sometimes called the Morphing Ball or Maru-Mari. The game doesn't show you what this strange ball-shaped item does with a text box or anything. It doesn't even tell you what the name of it is. But after collecting it, you'll soon find out that the passage you entered this place with is too high up for Metroid to jump to. The passage below you is too small to walk under either. So you try to duck again by pressing down on the D-Pad again, and this time something happens. That strange sphere seems to allow you to turn into a ball once collected! Now you can roll under the passage and get out of the area you got the item in. You immediately remember the narrow passage from earlier and start running right again, and this time, you're able to clear it. Then, Metroid truly starts.
    After this experience, you find out that Metroid is no Super Mario Brothers. This is a game you're going to have to pay more attention to. A game where you're going to have to spend countless hours looking for secrets that help you progress further in the game. You'll find obstacle after obstacle; blocks you can't break because you can't shoot down, red hatches impervious to your beam, areas too high to jump too, etc. Eventually, you'll find items like the Bombs, which are in Morph Ball mode and can be used to break blocks below you, Missiles that take out enemies quicker and let you open those red doors, and High-Jump Boots that let you jump higher than before. The Metroidvania genre is born.
    Let's back up a bit. What are you supposed to do in this game? Basically, there's a group of space pirates on the planet Zebes who are using and breeding life-sucking, jellyfish-like creatures called Metroids (yeah, you're not actually named Metroid, like how Link isn't named Zelda) to try to take over the galaxy. The galactic police have sent the bounty hunter Samus Aran (that's Metroid's real name) to defeat the space pirates alone. The brain behind the operation (pun intended) is the "mechanical life-vein" Mother Brain, who is basically a cybernetic supercomputer with extensive databases and networks throughout the planet. Her two main henchmen are the "mini-bosses" Kraid and Ridley, who live in their own lairs below Brinstar and Norfair respectively. While exploring the early parts of the game, you'll most likely come across a room with two statues and an inescapable pool of lava should you fall in. This is the road to Tourian, Mother Brain and the Metroids' hideout and the final area of the game. You'll need to come back to this place once you kill Kraid and Ridley. Then, once you shoot their now-flashing statues, a bridge will be built leading to the final stretch of the game. But first, you'll need to find them, which is easier said than done.
    Now is a good time to mention that the original Metroid on Famicom and NES didn't have a built in map. The game has five main areas to explore: Brinstar, a hub that connects most of the places together and is also the area you start out in, the firey Norfair, Kraid's and Ridley's lairs, and Tourian. That's quite a bit to keep in mind while playing, and in 1986 and 87, there was no Google to look for maps on. Your best bet was to draw out your own as you went along, or get Nintendo Power once that became a thing. That wouldn't be much of a problem if the game was easy to navigate on your own. Metroid requires you to take random shots in the dark until something works. For example, you may need to bomb a completely random floor tile in a random room that looks just like the hundreds of other floor tiles you've seen in the game to access a route to a boss's lair, or shoot out a random ceiling to access a crucial item. That's bad on its own, but Metroid also likes to blatantly copy/paste rooms over and over again. In Kraid's lair, for example, there are over a HALF-DOZEN rooms in the first shaft of the game that start out IDENTICALLY! This makes the game very frustrating to navigate around blindly, and coupling that with tougher enemies that hit harder in the later areas means that you'll end up dying a lot without making much progress.
    And that leads to another thing: dying. Dying in Metroid is brutal. Throughout the game, you can find energy tanks that increase your max health by 100 HP. Despite that, however, every time you die Metroid will start you off at the beginning of the area you died in with only 30 HP, the same amount you started with when you first arrived on Zebes. That means that you'll have to spend dozens of minutes of your time shooting enemies and grinding the health refills they occasionally drop. Each health pickup restores 5 HP, and the drop rates are very, very low. You'll likely spend your time standing in one spot next to an enemy spawner holding down the B button to shoot until you collect enough health to continue on exploring. There are no other ways to recharge your energy or missiles. This happens every single time you die, and you don't stand a snowball's chance in Norfair surviving unless you grind for health. The energy tanks do refill your health to the max, but there are only a few of them in the game and once you run out of them, you'll have to grind. This is EASILY the worst part about this game. Metroid is brutal, with hard-hitting enemies, instant death pits, and cheap deaths aplenty (you can even get killed during room transitions). This sucks the fun right out of the game for many people. I've gotten to the point where I almost never die in a playthrough, but even if you load up your game via a password you STILL start with 30 health and have to grind. This isn't fun. It's just padding.

    Throughout your journey, you'll find many more items to help you reach places you couldn't before. I've already mentioned the Missiles, Energy Tanks, High-Jump Boots, and Bombs, but there are much more than just that. Alongside Samus's peashooter he gets at the beginning of the game, he gets three more basic guns. The Long Beam is the only beam in the game that stacks on top of others in the game. This simply allows Samus's bullets to travel across the entire length of the screen instead of disappearing a few feet from his face. The other two beams, the Ice Beam and the Wave Beam, can't be used with each other. The ice beam will temporarily freeze enemies and allow Samus to use them as platforms, though they require twice as many shots to kill. The Wave Beam can travel through solid objects and travels in a sine wave pattern, finally allowing Samus to shoot the ground-based enemies shorter than him. Sadly though, the Wave Beam is somewhat pointless in the game as the toughest enemies in the game, the eponymous Metroids, can only be disposed of once frozen and shot with five missiles. Speaking of missiles, they are completely separate from the beam weapons. Missiles, unlike the beams, have limited ammo. You can increase your maximum amount of missiles you can carry by collecting more missile tanks scattered about the world, each one bumping the limit up by five. These missiles become quite important when it comes to the bosses and the final area of the game. You simply press the select button to toggle between the beams and missiles, and that's as advanced as inventory management gets in this game.
    You also have items like that Varia Suit and Screw Attack. These are completely optional and good bonuses for those who were able to find them. The Screw Attack charges your running jump with electricity, allowing Samus to instantly kill almost anything just by jumping into it. The Varia Suit (which can be seen in the second picture) is a pink palette swap of Samus that simply doubles his defense. The suit will become much more utilized in later games, but here it simply acts as a defense boost.
    Let's talk about those mini-bosses, Mother Brain's henchmen Kraid and Ridley. Technically, you're supposed to fight Kraid first, but the game is so open-ended and nonlinear that you can fight them in any order without the game stopping you. Kraid's lair is incredibly hard to navigate. The enemies do a ton of damage and the layout of the place is so confusing that it's nearly impossible to find Kraid without a map. It's so BS that you even find a fake version of the boss. Who does that? EVENTUALLY, you will find the real Kraid, though. He's easily the harder of the two. He'll shoot spikes out of his stomach and through his toenails at you without mercy. The best plan of attack here is to freeze the center spike in place, drop into Morph Ball mode, and spam bombs that'll hopefully blow up in his face. Hopefully you'll have enough energy to damage-boost your way through the fight and have Kraid die before you do. When he dies, you'll get 75 more missiles and begin the worst section in the game.
    There is a tower in the chasm that leads to Kraid's boss room made completely of breakable blocks. This tower is no wider than one block and goes up for several screens. You have to shoot a hole in the block tower, shoot the blocks above you, and keep jumping until the blocks respawn below your feet. This requires precise timing and persistence, as if the blocks respawn ON TOP OF you, you'll take damage and be knocked back, falling off the impossibly high tower and having to start all over again. This is outright terrible game design. I have the timing down now that I've played the game for years, but initially this seemed completely impossible. This has absolutely no reason to be in the game other than to pad the length and frustrate players. You're better off committing suicide back at Kraid's room and respawning back at the beginning of his lair.

    Navigating through Norfair will eventually lead you to Ridley's lair. His lair is a lot more straightforward and less labyrinthine than Kraid's, but the enemies are even more aggressive and dangerous to make up for it. Once you find Ridley, he's super easy. Simply freeze his fireballs midair (he won't shoot more until they unfreeze) and pump him full of missiles. Then he just dies and you get 75 more missiles. Yeah, if you couldn't tell, these first two bosses are terrible. This is one of the most broken boss fights in any game I've ever seen. I don't think I've died to this guy a single time before. But that's okay. The game more than makes up for it in just a few minutes.
    Before we get to that though, I want to tell you all about what this game means to me.
    One of my first games ever was Super Metroid, and it immediately became my favorite game. I was only four or five years old (I can't remember if it was 2010 or late 2009) when I started playing it with my dad (he did most of the playing anyways), and that experience really influenced my gaming tastes for the future. We did get stuck a few times, though, and used YouTube walkthroughs to help us. Sometimes the tab would be open and I would click around YouTube and watch the videos that they played. I couldn't really read at the time and just clicked the videos based on the thumbnails. Thankfully I didn't find any naughty things I shouldn't have been watching, thank God. What I did find was a different Metroid game. This game looked AWESOME to me back when I was little. It looked like Super Metroid, but the graphics weren't as good. I really wanted to play it. I assumed, based on the inferior graphics, that it was an older game, but I thought at the time it was the original Metroid. I now know it was actually Metroid 2 played on a Game Boy Player. So my dad, bless his soul, persuaded his brother to give me his old NES and went to the now-long-defunct Star Video and bought a used copy of Metroid for me. This was back in the day when you could buy expensive NES games like Metroid and Castlevania for like five dollars, which is what he paid for those two games. Only one problem though: the NES didn't work. At all. It was in the shop being repaired for what seemed like an eternity, and I spent much of my time laying on the sunroom floor, staring at that silver Metroid cartridge, waiting for the day to play it.
    When the NES finally was fixed, I eagerly popped in the game once my dad set the system up, and... I got this. I was completely wrong; the Metroid I wanted was actually the SECOND game, not the first! I was only disappointed for a second though. I really liked this game. I was terrible at it but I played it a lot. Though I still really wanted to play Metroid II, but it would be five years before I would have the chance to.
    My dad started up a caramel business in 2013 for reasons I don't want to get into here. He leased out a building that used to be a diner called The Villa to use the commercial kitchen in to make the caramel and sell it at farmers markets. Nothing was sold out of the building, so my sister and I had the entire front of it to ourselves. The front of The Villa was a piece of garbage, though the kitchen was perfectly fine. Every spring there would be a giant puddle of water in the middle of the place, and during the winter there would be no heating or anything. There were also no bathrooms. My parents didn't trust us kids home alone yet, so we had to stay there for hours at a time while my dad and his business partner Jon (same Jon as Atari Jon) made stuff. Our only entertainment was a couple of my sister's Barbies, the NES, and like seven games. One of which was Metroid. I remember playing that game quite a bit there and I have fond memories of repeatedly starting new games and telling myself I was going to beat it this time, only to get stuck in Kraid's lair and quit every single time. Still, it's a fond memory.
    I eventually got good enough at this game and beat it, though I gave in and used a map. I think I was 11 when I did this on the 3DS Virtual Console. Nowadays I can beat the game effortlessly with a map and well enough without one. I have had a map of this game and its direct sequel hanging on my wall for years now. I do love this game, though I will admit it has not stood the test of time.
    Anyways, let's see what Samus is doing.
    As you leave Norfair and make your way back to the statue room, you realize how powerful Samus has become. Rooms that you once struggled with now are cakewalks. As you climb the same vertical shaft you did at the start of the game to get to Tourian, you feel really good about how far you've come. As soon as you shoot the statues and build the bridge, though, that feeling of power turns into one of pure dread and helplessness.

     This is Tourian, the final area of the game.That green thing is a Metroid, this game's namesake. These are the toughest enemies in the game by far. They dart towards Samus with unparalleled speed and latch on to him, rapidly sucking his energy away. The only way to escape is to lay down bombs and hope the Metroid loses its grip. To kill one, Samus must freeze one with the Ice Beam and shoot it with missiles five times. Metroids are always generous enough to drop loads of missiles and energy when they die. And you'll need every bit of them you can get for the final battle.

    This is the final battle. Before this, Samus must shoot down several "Zebetite" barriers that can only be destroyed by missiles, which is a pain in itself. The fight against Mother Brain, though, stands alongside the block tower as the most frustrating part of the game. You'll need all the energy you can get to stand a chance here. The floor is lava and the platforms are small. Cheerio-like Rinkas and acid turrets are shooting at you as you try to pump Mother Brain full of missiles. These nearly-unavoidable attacks will send Samus into the lava, which is very hard to get out of. And remember, if you die here, it's back to the start of Tourian with only thirty health. Eventually though, you'll blow up Mother Brain, who will set off a self-destruct sequence that'll blow Tourian to smithereens. The last room of the game involves Samus climbing to the top of a large shaft on tiny platforms while a timer ticks away. If you make it to the top of the elevator and have beat the game fast enough, you'll see one of the most shocking moments in video game history:

     
    SAMUS IS A GIRL?!?!
    This came as a shock to many back in the day. You almost never saw a woman in the leading role of a game before. In most games at the time, women were the damsels in distress meant to be saved by a male character, like Princess Peach or Zelda. They were almost never badass, awesome space bounty hunters. The game's manual even keeps this a secret by referring to Samus using only male pronouns, which is why I used them in this blog up to this point. This game was incredibly progressive at the time, not just for influence but for women's representation in games. And though the whole goal of "beating the game faster so more suit comes off" isn't GREAT by today's standards, I suppose you have got to walk before you can run.
    So that's the end of Metroid. Has it aged well?
    NO.
    This game is frustrating in almost every way possible. I might like it, but I would never, NEVER recommend this game to someone playing the series for the first time. To the right kind of person, though, I'd recommend this game with a map. For most, though, Metroid is nothing more than a historical curiosity for those who just want to see where the series started.

    In 2004, however, Metroid recieved a full, ground-up remake for the GBA: Metroid Zero Mission. I won't be going into too much detail with this game (I might cover it more in the future), but I will say that it does improve almost everything from the original. The map is incredibly faithful to the original game, but slightly different, though that has the unfortunate side effect of making the game incredibly short. There are now save rooms and places to recharge your health and ammo. The secrets are more well-hidden and the levels better designed. The bosses are actually bosses this time, and there's more of them. Items and abilities from Samus's later adventures are here too. It even has a special surprise twist at the end. This game is pretty good and completely replaces the original, even going as far as including the original game as an unlockable when you beat the game on any difficulty.
    Zero Mission, unlike the original game, is a GREAT place to start with the 2D Metroid series. A little too great. You see, I actually don't care much for this game because I feel that it thinks I'm stupid. Metroid Zero Mission, to ME at least, seems like "Baby's First Metroid". Unless I'm trying to collect everything, I don't think this game is much better than "good". I seem to be the only person to think that, though, so please don't listen to me and play it.
    And that wraps up Metroid and its remake. These games are good, don't get me wrong, but as far as the 2D Metroid series goes, every other game in the series beats them to a pulp. I still pull out Metroid every few months and have a blast with it, and Zero Mission has been growing on me more and more the past few months since I got a repro cart for my GBA. All the 2D Metroids are great games, but these two are slightly less great than the rest, at least to me. This shows us, though, that there is a lot more to look forward to in the series. And that's coming very soon.
    Next week: Metroid's flaws are ironed out in my favorite Game Boy game, and Samus starts two new eras of 2D Metroid twenty-six years apart.
     
    I hope you are enjoying Month of Metroid so far. This took me a long time to write! Hopefully you guys like this and consider trying out the Metroid series. It's not my favorite series ever without a reason.
  5. Like
    HDN got a reaction from socrates63 for a blog entry, Metroid (and Metroid Zero Mission)   
    Revolutionary.
    This word is tossed around a lot when it comes to NES games. Indeed, a lot of NES games were groundbreaking titles unlike anything else people had seen on the Atari 2600, Colecovision, or any other system prior to 1985. Super Mario Brothers was revolutionary because it offered a game with a size unlike 99% of the previous generation's games. Zelda was revolutionary because it had a massive open world with secrets to explore in every nook in cranny, offering an adventure so vast that it had a battery installed in the game to save one's progress across multiple sessions without the need of a password. But what if we took both these games and mixed them together? We perhaps get the most influential game Nintendo has ever published on the NES. This is Metroid.

    Metroid was unlike anything else when it came out in 1986 for the Famicom Disk System. It barely had any precedent at all on home consoles at that point. The game had no score at all. It didn't even have levels (even Zelda had those to an extent). No, Metroid was truly a world you could explore to your heart's content. It seemed like there were secrets hidden everywhere, like there was no end to the game at all. Nowadays, the map of Metroid seems tiny, but back then it seemed to be a massive, sprawling, never-ending adventure.
    You start Metroid in the middle of a place called Brinstar. You control the little orange-and-red "space robot". He can jump shoot up, left, and right. He can't duck, he can't shoot down, he can't jump on enemies or shoot farther than a few feet from himself. In other words, you seem very limited and outmatched at this point in the game. Enemies are too close to the ground to be shot. You only start with thirty health and die in just a few hits. This is intentional.
    You head right, as anyone in 1986 or 1987 coming off of Super Mario Brothers would. Enemies crawl around the ground and swoop down at the space robot (maybe he's named Metroid?). You find out that shooting the blue hatches opens them and allows you to go into the next room. You keep heading right until...

    What's this? You're officially stuck. Remember, "Metroid" as we're calling him now can't crawl or duck, and the passage is too short to walk under. You TRY to duck under this passage, but pressing the down arrow doesn't seem to do anything at all. This means, at this point, there's absolutely no way to clear it. Out of desperation, you move left and realize that unlike Super Mario before it, Metroid allows you to go left. And if you keep going left, past the point in the game you started at, you'll find this:

    The game pauses for a moment as a jingle plays. This is the Morph Ball, sometimes called the Morphing Ball or Maru-Mari. The game doesn't show you what this strange ball-shaped item does with a text box or anything. It doesn't even tell you what the name of it is. But after collecting it, you'll soon find out that the passage you entered this place with is too high up for Metroid to jump to. The passage below you is too small to walk under either. So you try to duck again by pressing down on the D-Pad again, and this time something happens. That strange sphere seems to allow you to turn into a ball once collected! Now you can roll under the passage and get out of the area you got the item in. You immediately remember the narrow passage from earlier and start running right again, and this time, you're able to clear it. Then, Metroid truly starts.
    After this experience, you find out that Metroid is no Super Mario Brothers. This is a game you're going to have to pay more attention to. A game where you're going to have to spend countless hours looking for secrets that help you progress further in the game. You'll find obstacle after obstacle; blocks you can't break because you can't shoot down, red hatches impervious to your beam, areas too high to jump too, etc. Eventually, you'll find items like the Bombs, which are in Morph Ball mode and can be used to break blocks below you, Missiles that take out enemies quicker and let you open those red doors, and High-Jump Boots that let you jump higher than before. The Metroidvania genre is born.
    Let's back up a bit. What are you supposed to do in this game? Basically, there's a group of space pirates on the planet Zebes who are using and breeding life-sucking, jellyfish-like creatures called Metroids (yeah, you're not actually named Metroid, like how Link isn't named Zelda) to try to take over the galaxy. The galactic police have sent the bounty hunter Samus Aran (that's Metroid's real name) to defeat the space pirates alone. The brain behind the operation (pun intended) is the "mechanical life-vein" Mother Brain, who is basically a cybernetic supercomputer with extensive databases and networks throughout the planet. Her two main henchmen are the "mini-bosses" Kraid and Ridley, who live in their own lairs below Brinstar and Norfair respectively. While exploring the early parts of the game, you'll most likely come across a room with two statues and an inescapable pool of lava should you fall in. This is the road to Tourian, Mother Brain and the Metroids' hideout and the final area of the game. You'll need to come back to this place once you kill Kraid and Ridley. Then, once you shoot their now-flashing statues, a bridge will be built leading to the final stretch of the game. But first, you'll need to find them, which is easier said than done.
    Now is a good time to mention that the original Metroid on Famicom and NES didn't have a built in map. The game has five main areas to explore: Brinstar, a hub that connects most of the places together and is also the area you start out in, the firey Norfair, Kraid's and Ridley's lairs, and Tourian. That's quite a bit to keep in mind while playing, and in 1986 and 87, there was no Google to look for maps on. Your best bet was to draw out your own as you went along, or get Nintendo Power once that became a thing. That wouldn't be much of a problem if the game was easy to navigate on your own. Metroid requires you to take random shots in the dark until something works. For example, you may need to bomb a completely random floor tile in a random room that looks just like the hundreds of other floor tiles you've seen in the game to access a route to a boss's lair, or shoot out a random ceiling to access a crucial item. That's bad on its own, but Metroid also likes to blatantly copy/paste rooms over and over again. In Kraid's lair, for example, there are over a HALF-DOZEN rooms in the first shaft of the game that start out IDENTICALLY! This makes the game very frustrating to navigate around blindly, and coupling that with tougher enemies that hit harder in the later areas means that you'll end up dying a lot without making much progress.
    And that leads to another thing: dying. Dying in Metroid is brutal. Throughout the game, you can find energy tanks that increase your max health by 100 HP. Despite that, however, every time you die Metroid will start you off at the beginning of the area you died in with only 30 HP, the same amount you started with when you first arrived on Zebes. That means that you'll have to spend dozens of minutes of your time shooting enemies and grinding the health refills they occasionally drop. Each health pickup restores 5 HP, and the drop rates are very, very low. You'll likely spend your time standing in one spot next to an enemy spawner holding down the B button to shoot until you collect enough health to continue on exploring. There are no other ways to recharge your energy or missiles. This happens every single time you die, and you don't stand a snowball's chance in Norfair surviving unless you grind for health. The energy tanks do refill your health to the max, but there are only a few of them in the game and once you run out of them, you'll have to grind. This is EASILY the worst part about this game. Metroid is brutal, with hard-hitting enemies, instant death pits, and cheap deaths aplenty (you can even get killed during room transitions). This sucks the fun right out of the game for many people. I've gotten to the point where I almost never die in a playthrough, but even if you load up your game via a password you STILL start with 30 health and have to grind. This isn't fun. It's just padding.

    Throughout your journey, you'll find many more items to help you reach places you couldn't before. I've already mentioned the Missiles, Energy Tanks, High-Jump Boots, and Bombs, but there are much more than just that. Alongside Samus's peashooter he gets at the beginning of the game, he gets three more basic guns. The Long Beam is the only beam in the game that stacks on top of others in the game. This simply allows Samus's bullets to travel across the entire length of the screen instead of disappearing a few feet from his face. The other two beams, the Ice Beam and the Wave Beam, can't be used with each other. The ice beam will temporarily freeze enemies and allow Samus to use them as platforms, though they require twice as many shots to kill. The Wave Beam can travel through solid objects and travels in a sine wave pattern, finally allowing Samus to shoot the ground-based enemies shorter than him. Sadly though, the Wave Beam is somewhat pointless in the game as the toughest enemies in the game, the eponymous Metroids, can only be disposed of once frozen and shot with five missiles. Speaking of missiles, they are completely separate from the beam weapons. Missiles, unlike the beams, have limited ammo. You can increase your maximum amount of missiles you can carry by collecting more missile tanks scattered about the world, each one bumping the limit up by five. These missiles become quite important when it comes to the bosses and the final area of the game. You simply press the select button to toggle between the beams and missiles, and that's as advanced as inventory management gets in this game.
    You also have items like that Varia Suit and Screw Attack. These are completely optional and good bonuses for those who were able to find them. The Screw Attack charges your running jump with electricity, allowing Samus to instantly kill almost anything just by jumping into it. The Varia Suit (which can be seen in the second picture) is a pink palette swap of Samus that simply doubles his defense. The suit will become much more utilized in later games, but here it simply acts as a defense boost.
    Let's talk about those mini-bosses, Mother Brain's henchmen Kraid and Ridley. Technically, you're supposed to fight Kraid first, but the game is so open-ended and nonlinear that you can fight them in any order without the game stopping you. Kraid's lair is incredibly hard to navigate. The enemies do a ton of damage and the layout of the place is so confusing that it's nearly impossible to find Kraid without a map. It's so BS that you even find a fake version of the boss. Who does that? EVENTUALLY, you will find the real Kraid, though. He's easily the harder of the two. He'll shoot spikes out of his stomach and through his toenails at you without mercy. The best plan of attack here is to freeze the center spike in place, drop into Morph Ball mode, and spam bombs that'll hopefully blow up in his face. Hopefully you'll have enough energy to damage-boost your way through the fight and have Kraid die before you do. When he dies, you'll get 75 more missiles and begin the worst section in the game.
    There is a tower in the chasm that leads to Kraid's boss room made completely of breakable blocks. This tower is no wider than one block and goes up for several screens. You have to shoot a hole in the block tower, shoot the blocks above you, and keep jumping until the blocks respawn below your feet. This requires precise timing and persistence, as if the blocks respawn ON TOP OF you, you'll take damage and be knocked back, falling off the impossibly high tower and having to start all over again. This is outright terrible game design. I have the timing down now that I've played the game for years, but initially this seemed completely impossible. This has absolutely no reason to be in the game other than to pad the length and frustrate players. You're better off committing suicide back at Kraid's room and respawning back at the beginning of his lair.

    Navigating through Norfair will eventually lead you to Ridley's lair. His lair is a lot more straightforward and less labyrinthine than Kraid's, but the enemies are even more aggressive and dangerous to make up for it. Once you find Ridley, he's super easy. Simply freeze his fireballs midair (he won't shoot more until they unfreeze) and pump him full of missiles. Then he just dies and you get 75 more missiles. Yeah, if you couldn't tell, these first two bosses are terrible. This is one of the most broken boss fights in any game I've ever seen. I don't think I've died to this guy a single time before. But that's okay. The game more than makes up for it in just a few minutes.
    Before we get to that though, I want to tell you all about what this game means to me.
    One of my first games ever was Super Metroid, and it immediately became my favorite game. I was only four or five years old (I can't remember if it was 2010 or late 2009) when I started playing it with my dad (he did most of the playing anyways), and that experience really influenced my gaming tastes for the future. We did get stuck a few times, though, and used YouTube walkthroughs to help us. Sometimes the tab would be open and I would click around YouTube and watch the videos that they played. I couldn't really read at the time and just clicked the videos based on the thumbnails. Thankfully I didn't find any naughty things I shouldn't have been watching, thank God. What I did find was a different Metroid game. This game looked AWESOME to me back when I was little. It looked like Super Metroid, but the graphics weren't as good. I really wanted to play it. I assumed, based on the inferior graphics, that it was an older game, but I thought at the time it was the original Metroid. I now know it was actually Metroid 2 played on a Game Boy Player. So my dad, bless his soul, persuaded his brother to give me his old NES and went to the now-long-defunct Star Video and bought a used copy of Metroid for me. This was back in the day when you could buy expensive NES games like Metroid and Castlevania for like five dollars, which is what he paid for those two games. Only one problem though: the NES didn't work. At all. It was in the shop being repaired for what seemed like an eternity, and I spent much of my time laying on the sunroom floor, staring at that silver Metroid cartridge, waiting for the day to play it.
    When the NES finally was fixed, I eagerly popped in the game once my dad set the system up, and... I got this. I was completely wrong; the Metroid I wanted was actually the SECOND game, not the first! I was only disappointed for a second though. I really liked this game. I was terrible at it but I played it a lot. Though I still really wanted to play Metroid II, but it would be five years before I would have the chance to.
    My dad started up a caramel business in 2013 for reasons I don't want to get into here. He leased out a building that used to be a diner called The Villa to use the commercial kitchen in to make the caramel and sell it at farmers markets. Nothing was sold out of the building, so my sister and I had the entire front of it to ourselves. The front of The Villa was a piece of garbage, though the kitchen was perfectly fine. Every spring there would be a giant puddle of water in the middle of the place, and during the winter there would be no heating or anything. There were also no bathrooms. My parents didn't trust us kids home alone yet, so we had to stay there for hours at a time while my dad and his business partner Jon (same Jon as Atari Jon) made stuff. Our only entertainment was a couple of my sister's Barbies, the NES, and like seven games. One of which was Metroid. I remember playing that game quite a bit there and I have fond memories of repeatedly starting new games and telling myself I was going to beat it this time, only to get stuck in Kraid's lair and quit every single time. Still, it's a fond memory.
    I eventually got good enough at this game and beat it, though I gave in and used a map. I think I was 11 when I did this on the 3DS Virtual Console. Nowadays I can beat the game effortlessly with a map and well enough without one. I have had a map of this game and its direct sequel hanging on my wall for years now. I do love this game, though I will admit it has not stood the test of time.
    Anyways, let's see what Samus is doing.
    As you leave Norfair and make your way back to the statue room, you realize how powerful Samus has become. Rooms that you once struggled with now are cakewalks. As you climb the same vertical shaft you did at the start of the game to get to Tourian, you feel really good about how far you've come. As soon as you shoot the statues and build the bridge, though, that feeling of power turns into one of pure dread and helplessness.

     This is Tourian, the final area of the game.That green thing is a Metroid, this game's namesake. These are the toughest enemies in the game by far. They dart towards Samus with unparalleled speed and latch on to him, rapidly sucking his energy away. The only way to escape is to lay down bombs and hope the Metroid loses its grip. To kill one, Samus must freeze one with the Ice Beam and shoot it with missiles five times. Metroids are always generous enough to drop loads of missiles and energy when they die. And you'll need every bit of them you can get for the final battle.

    This is the final battle. Before this, Samus must shoot down several "Zebetite" barriers that can only be destroyed by missiles, which is a pain in itself. The fight against Mother Brain, though, stands alongside the block tower as the most frustrating part of the game. You'll need all the energy you can get to stand a chance here. The floor is lava and the platforms are small. Cheerio-like Rinkas and acid turrets are shooting at you as you try to pump Mother Brain full of missiles. These nearly-unavoidable attacks will send Samus into the lava, which is very hard to get out of. And remember, if you die here, it's back to the start of Tourian with only thirty health. Eventually though, you'll blow up Mother Brain, who will set off a self-destruct sequence that'll blow Tourian to smithereens. The last room of the game involves Samus climbing to the top of a large shaft on tiny platforms while a timer ticks away. If you make it to the top of the elevator and have beat the game fast enough, you'll see one of the most shocking moments in video game history:

     
    SAMUS IS A GIRL?!?!
    This came as a shock to many back in the day. You almost never saw a woman in the leading role of a game before. In most games at the time, women were the damsels in distress meant to be saved by a male character, like Princess Peach or Zelda. They were almost never badass, awesome space bounty hunters. The game's manual even keeps this a secret by referring to Samus using only male pronouns, which is why I used them in this blog up to this point. This game was incredibly progressive at the time, not just for influence but for women's representation in games. And though the whole goal of "beating the game faster so more suit comes off" isn't GREAT by today's standards, I suppose you have got to walk before you can run.
    So that's the end of Metroid. Has it aged well?
    NO.
    This game is frustrating in almost every way possible. I might like it, but I would never, NEVER recommend this game to someone playing the series for the first time. To the right kind of person, though, I'd recommend this game with a map. For most, though, Metroid is nothing more than a historical curiosity for those who just want to see where the series started.

    In 2004, however, Metroid recieved a full, ground-up remake for the GBA: Metroid Zero Mission. I won't be going into too much detail with this game (I might cover it more in the future), but I will say that it does improve almost everything from the original. The map is incredibly faithful to the original game, but slightly different, though that has the unfortunate side effect of making the game incredibly short. There are now save rooms and places to recharge your health and ammo. The secrets are more well-hidden and the levels better designed. The bosses are actually bosses this time, and there's more of them. Items and abilities from Samus's later adventures are here too. It even has a special surprise twist at the end. This game is pretty good and completely replaces the original, even going as far as including the original game as an unlockable when you beat the game on any difficulty.
    Zero Mission, unlike the original game, is a GREAT place to start with the 2D Metroid series. A little too great. You see, I actually don't care much for this game because I feel that it thinks I'm stupid. Metroid Zero Mission, to ME at least, seems like "Baby's First Metroid". Unless I'm trying to collect everything, I don't think this game is much better than "good". I seem to be the only person to think that, though, so please don't listen to me and play it.
    And that wraps up Metroid and its remake. These games are good, don't get me wrong, but as far as the 2D Metroid series goes, every other game in the series beats them to a pulp. I still pull out Metroid every few months and have a blast with it, and Zero Mission has been growing on me more and more the past few months since I got a repro cart for my GBA. All the 2D Metroids are great games, but these two are slightly less great than the rest, at least to me. This shows us, though, that there is a lot more to look forward to in the series. And that's coming very soon.
    Next week: Metroid's flaws are ironed out in my favorite Game Boy game, and Samus starts two new eras of 2D Metroid twenty-six years apart.
     
    I hope you are enjoying Month of Metroid so far. This took me a long time to write! Hopefully you guys like this and consider trying out the Metroid series. It's not my favorite series ever without a reason.
  6. Like
    HDN got a reaction from RickR for a blog entry, Metroid (and Metroid Zero Mission)   
    Revolutionary.
    This word is tossed around a lot when it comes to NES games. Indeed, a lot of NES games were groundbreaking titles unlike anything else people had seen on the Atari 2600, Colecovision, or any other system prior to 1985. Super Mario Brothers was revolutionary because it offered a game with a size unlike 99% of the previous generation's games. Zelda was revolutionary because it had a massive open world with secrets to explore in every nook in cranny, offering an adventure so vast that it had a battery installed in the game to save one's progress across multiple sessions without the need of a password. But what if we took both these games and mixed them together? We perhaps get the most influential game Nintendo has ever published on the NES. This is Metroid.

    Metroid was unlike anything else when it came out in 1986 for the Famicom Disk System. It barely had any precedent at all on home consoles at that point. The game had no score at all. It didn't even have levels (even Zelda had those to an extent). No, Metroid was truly a world you could explore to your heart's content. It seemed like there were secrets hidden everywhere, like there was no end to the game at all. Nowadays, the map of Metroid seems tiny, but back then it seemed to be a massive, sprawling, never-ending adventure.
    You start Metroid in the middle of a place called Brinstar. You control the little orange-and-red "space robot". He can jump shoot up, left, and right. He can't duck, he can't shoot down, he can't jump on enemies or shoot farther than a few feet from himself. In other words, you seem very limited and outmatched at this point in the game. Enemies are too close to the ground to be shot. You only start with thirty health and die in just a few hits. This is intentional.
    You head right, as anyone in 1986 or 1987 coming off of Super Mario Brothers would. Enemies crawl around the ground and swoop down at the space robot (maybe he's named Metroid?). You find out that shooting the blue hatches opens them and allows you to go into the next room. You keep heading right until...

    What's this? You're officially stuck. Remember, "Metroid" as we're calling him now can't crawl or duck, and the passage is too short to walk under. You TRY to duck under this passage, but pressing the down arrow doesn't seem to do anything at all. This means, at this point, there's absolutely no way to clear it. Out of desperation, you move left and realize that unlike Super Mario before it, Metroid allows you to go left. And if you keep going left, past the point in the game you started at, you'll find this:

    The game pauses for a moment as a jingle plays. This is the Morph Ball, sometimes called the Morphing Ball or Maru-Mari. The game doesn't show you what this strange ball-shaped item does with a text box or anything. It doesn't even tell you what the name of it is. But after collecting it, you'll soon find out that the passage you entered this place with is too high up for Metroid to jump to. The passage below you is too small to walk under either. So you try to duck again by pressing down on the D-Pad again, and this time something happens. That strange sphere seems to allow you to turn into a ball once collected! Now you can roll under the passage and get out of the area you got the item in. You immediately remember the narrow passage from earlier and start running right again, and this time, you're able to clear it. Then, Metroid truly starts.
    After this experience, you find out that Metroid is no Super Mario Brothers. This is a game you're going to have to pay more attention to. A game where you're going to have to spend countless hours looking for secrets that help you progress further in the game. You'll find obstacle after obstacle; blocks you can't break because you can't shoot down, red hatches impervious to your beam, areas too high to jump too, etc. Eventually, you'll find items like the Bombs, which are in Morph Ball mode and can be used to break blocks below you, Missiles that take out enemies quicker and let you open those red doors, and High-Jump Boots that let you jump higher than before. The Metroidvania genre is born.
    Let's back up a bit. What are you supposed to do in this game? Basically, there's a group of space pirates on the planet Zebes who are using and breeding life-sucking, jellyfish-like creatures called Metroids (yeah, you're not actually named Metroid, like how Link isn't named Zelda) to try to take over the galaxy. The galactic police have sent the bounty hunter Samus Aran (that's Metroid's real name) to defeat the space pirates alone. The brain behind the operation (pun intended) is the "mechanical life-vein" Mother Brain, who is basically a cybernetic supercomputer with extensive databases and networks throughout the planet. Her two main henchmen are the "mini-bosses" Kraid and Ridley, who live in their own lairs below Brinstar and Norfair respectively. While exploring the early parts of the game, you'll most likely come across a room with two statues and an inescapable pool of lava should you fall in. This is the road to Tourian, Mother Brain and the Metroids' hideout and the final area of the game. You'll need to come back to this place once you kill Kraid and Ridley. Then, once you shoot their now-flashing statues, a bridge will be built leading to the final stretch of the game. But first, you'll need to find them, which is easier said than done.
    Now is a good time to mention that the original Metroid on Famicom and NES didn't have a built in map. The game has five main areas to explore: Brinstar, a hub that connects most of the places together and is also the area you start out in, the firey Norfair, Kraid's and Ridley's lairs, and Tourian. That's quite a bit to keep in mind while playing, and in 1986 and 87, there was no Google to look for maps on. Your best bet was to draw out your own as you went along, or get Nintendo Power once that became a thing. That wouldn't be much of a problem if the game was easy to navigate on your own. Metroid requires you to take random shots in the dark until something works. For example, you may need to bomb a completely random floor tile in a random room that looks just like the hundreds of other floor tiles you've seen in the game to access a route to a boss's lair, or shoot out a random ceiling to access a crucial item. That's bad on its own, but Metroid also likes to blatantly copy/paste rooms over and over again. In Kraid's lair, for example, there are over a HALF-DOZEN rooms in the first shaft of the game that start out IDENTICALLY! This makes the game very frustrating to navigate around blindly, and coupling that with tougher enemies that hit harder in the later areas means that you'll end up dying a lot without making much progress.
    And that leads to another thing: dying. Dying in Metroid is brutal. Throughout the game, you can find energy tanks that increase your max health by 100 HP. Despite that, however, every time you die Metroid will start you off at the beginning of the area you died in with only 30 HP, the same amount you started with when you first arrived on Zebes. That means that you'll have to spend dozens of minutes of your time shooting enemies and grinding the health refills they occasionally drop. Each health pickup restores 5 HP, and the drop rates are very, very low. You'll likely spend your time standing in one spot next to an enemy spawner holding down the B button to shoot until you collect enough health to continue on exploring. There are no other ways to recharge your energy or missiles. This happens every single time you die, and you don't stand a snowball's chance in Norfair surviving unless you grind for health. The energy tanks do refill your health to the max, but there are only a few of them in the game and once you run out of them, you'll have to grind. This is EASILY the worst part about this game. Metroid is brutal, with hard-hitting enemies, instant death pits, and cheap deaths aplenty (you can even get killed during room transitions). This sucks the fun right out of the game for many people. I've gotten to the point where I almost never die in a playthrough, but even if you load up your game via a password you STILL start with 30 health and have to grind. This isn't fun. It's just padding.

    Throughout your journey, you'll find many more items to help you reach places you couldn't before. I've already mentioned the Missiles, Energy Tanks, High-Jump Boots, and Bombs, but there are much more than just that. Alongside Samus's peashooter he gets at the beginning of the game, he gets three more basic guns. The Long Beam is the only beam in the game that stacks on top of others in the game. This simply allows Samus's bullets to travel across the entire length of the screen instead of disappearing a few feet from his face. The other two beams, the Ice Beam and the Wave Beam, can't be used with each other. The ice beam will temporarily freeze enemies and allow Samus to use them as platforms, though they require twice as many shots to kill. The Wave Beam can travel through solid objects and travels in a sine wave pattern, finally allowing Samus to shoot the ground-based enemies shorter than him. Sadly though, the Wave Beam is somewhat pointless in the game as the toughest enemies in the game, the eponymous Metroids, can only be disposed of once frozen and shot with five missiles. Speaking of missiles, they are completely separate from the beam weapons. Missiles, unlike the beams, have limited ammo. You can increase your maximum amount of missiles you can carry by collecting more missile tanks scattered about the world, each one bumping the limit up by five. These missiles become quite important when it comes to the bosses and the final area of the game. You simply press the select button to toggle between the beams and missiles, and that's as advanced as inventory management gets in this game.
    You also have items like that Varia Suit and Screw Attack. These are completely optional and good bonuses for those who were able to find them. The Screw Attack charges your running jump with electricity, allowing Samus to instantly kill almost anything just by jumping into it. The Varia Suit (which can be seen in the second picture) is a pink palette swap of Samus that simply doubles his defense. The suit will become much more utilized in later games, but here it simply acts as a defense boost.
    Let's talk about those mini-bosses, Mother Brain's henchmen Kraid and Ridley. Technically, you're supposed to fight Kraid first, but the game is so open-ended and nonlinear that you can fight them in any order without the game stopping you. Kraid's lair is incredibly hard to navigate. The enemies do a ton of damage and the layout of the place is so confusing that it's nearly impossible to find Kraid without a map. It's so BS that you even find a fake version of the boss. Who does that? EVENTUALLY, you will find the real Kraid, though. He's easily the harder of the two. He'll shoot spikes out of his stomach and through his toenails at you without mercy. The best plan of attack here is to freeze the center spike in place, drop into Morph Ball mode, and spam bombs that'll hopefully blow up in his face. Hopefully you'll have enough energy to damage-boost your way through the fight and have Kraid die before you do. When he dies, you'll get 75 more missiles and begin the worst section in the game.
    There is a tower in the chasm that leads to Kraid's boss room made completely of breakable blocks. This tower is no wider than one block and goes up for several screens. You have to shoot a hole in the block tower, shoot the blocks above you, and keep jumping until the blocks respawn below your feet. This requires precise timing and persistence, as if the blocks respawn ON TOP OF you, you'll take damage and be knocked back, falling off the impossibly high tower and having to start all over again. This is outright terrible game design. I have the timing down now that I've played the game for years, but initially this seemed completely impossible. This has absolutely no reason to be in the game other than to pad the length and frustrate players. You're better off committing suicide back at Kraid's room and respawning back at the beginning of his lair.

    Navigating through Norfair will eventually lead you to Ridley's lair. His lair is a lot more straightforward and less labyrinthine than Kraid's, but the enemies are even more aggressive and dangerous to make up for it. Once you find Ridley, he's super easy. Simply freeze his fireballs midair (he won't shoot more until they unfreeze) and pump him full of missiles. Then he just dies and you get 75 more missiles. Yeah, if you couldn't tell, these first two bosses are terrible. This is one of the most broken boss fights in any game I've ever seen. I don't think I've died to this guy a single time before. But that's okay. The game more than makes up for it in just a few minutes.
    Before we get to that though, I want to tell you all about what this game means to me.
    One of my first games ever was Super Metroid, and it immediately became my favorite game. I was only four or five years old (I can't remember if it was 2010 or late 2009) when I started playing it with my dad (he did most of the playing anyways), and that experience really influenced my gaming tastes for the future. We did get stuck a few times, though, and used YouTube walkthroughs to help us. Sometimes the tab would be open and I would click around YouTube and watch the videos that they played. I couldn't really read at the time and just clicked the videos based on the thumbnails. Thankfully I didn't find any naughty things I shouldn't have been watching, thank God. What I did find was a different Metroid game. This game looked AWESOME to me back when I was little. It looked like Super Metroid, but the graphics weren't as good. I really wanted to play it. I assumed, based on the inferior graphics, that it was an older game, but I thought at the time it was the original Metroid. I now know it was actually Metroid 2 played on a Game Boy Player. So my dad, bless his soul, persuaded his brother to give me his old NES and went to the now-long-defunct Star Video and bought a used copy of Metroid for me. This was back in the day when you could buy expensive NES games like Metroid and Castlevania for like five dollars, which is what he paid for those two games. Only one problem though: the NES didn't work. At all. It was in the shop being repaired for what seemed like an eternity, and I spent much of my time laying on the sunroom floor, staring at that silver Metroid cartridge, waiting for the day to play it.
    When the NES finally was fixed, I eagerly popped in the game once my dad set the system up, and... I got this. I was completely wrong; the Metroid I wanted was actually the SECOND game, not the first! I was only disappointed for a second though. I really liked this game. I was terrible at it but I played it a lot. Though I still really wanted to play Metroid II, but it would be five years before I would have the chance to.
    My dad started up a caramel business in 2013 for reasons I don't want to get into here. He leased out a building that used to be a diner called The Villa to use the commercial kitchen in to make the caramel and sell it at farmers markets. Nothing was sold out of the building, so my sister and I had the entire front of it to ourselves. The front of The Villa was a piece of garbage, though the kitchen was perfectly fine. Every spring there would be a giant puddle of water in the middle of the place, and during the winter there would be no heating or anything. There were also no bathrooms. My parents didn't trust us kids home alone yet, so we had to stay there for hours at a time while my dad and his business partner Jon (same Jon as Atari Jon) made stuff. Our only entertainment was a couple of my sister's Barbies, the NES, and like seven games. One of which was Metroid. I remember playing that game quite a bit there and I have fond memories of repeatedly starting new games and telling myself I was going to beat it this time, only to get stuck in Kraid's lair and quit every single time. Still, it's a fond memory.
    I eventually got good enough at this game and beat it, though I gave in and used a map. I think I was 11 when I did this on the 3DS Virtual Console. Nowadays I can beat the game effortlessly with a map and well enough without one. I have had a map of this game and its direct sequel hanging on my wall for years now. I do love this game, though I will admit it has not stood the test of time.
    Anyways, let's see what Samus is doing.
    As you leave Norfair and make your way back to the statue room, you realize how powerful Samus has become. Rooms that you once struggled with now are cakewalks. As you climb the same vertical shaft you did at the start of the game to get to Tourian, you feel really good about how far you've come. As soon as you shoot the statues and build the bridge, though, that feeling of power turns into one of pure dread and helplessness.

     This is Tourian, the final area of the game.That green thing is a Metroid, this game's namesake. These are the toughest enemies in the game by far. They dart towards Samus with unparalleled speed and latch on to him, rapidly sucking his energy away. The only way to escape is to lay down bombs and hope the Metroid loses its grip. To kill one, Samus must freeze one with the Ice Beam and shoot it with missiles five times. Metroids are always generous enough to drop loads of missiles and energy when they die. And you'll need every bit of them you can get for the final battle.

    This is the final battle. Before this, Samus must shoot down several "Zebetite" barriers that can only be destroyed by missiles, which is a pain in itself. The fight against Mother Brain, though, stands alongside the block tower as the most frustrating part of the game. You'll need all the energy you can get to stand a chance here. The floor is lava and the platforms are small. Cheerio-like Rinkas and acid turrets are shooting at you as you try to pump Mother Brain full of missiles. These nearly-unavoidable attacks will send Samus into the lava, which is very hard to get out of. And remember, if you die here, it's back to the start of Tourian with only thirty health. Eventually though, you'll blow up Mother Brain, who will set off a self-destruct sequence that'll blow Tourian to smithereens. The last room of the game involves Samus climbing to the top of a large shaft on tiny platforms while a timer ticks away. If you make it to the top of the elevator and have beat the game fast enough, you'll see one of the most shocking moments in video game history:

     
    SAMUS IS A GIRL?!?!
    This came as a shock to many back in the day. You almost never saw a woman in the leading role of a game before. In most games at the time, women were the damsels in distress meant to be saved by a male character, like Princess Peach or Zelda. They were almost never badass, awesome space bounty hunters. The game's manual even keeps this a secret by referring to Samus using only male pronouns, which is why I used them in this blog up to this point. This game was incredibly progressive at the time, not just for influence but for women's representation in games. And though the whole goal of "beating the game faster so more suit comes off" isn't GREAT by today's standards, I suppose you have got to walk before you can run.
    So that's the end of Metroid. Has it aged well?
    NO.
    This game is frustrating in almost every way possible. I might like it, but I would never, NEVER recommend this game to someone playing the series for the first time. To the right kind of person, though, I'd recommend this game with a map. For most, though, Metroid is nothing more than a historical curiosity for those who just want to see where the series started.

    In 2004, however, Metroid recieved a full, ground-up remake for the GBA: Metroid Zero Mission. I won't be going into too much detail with this game (I might cover it more in the future), but I will say that it does improve almost everything from the original. The map is incredibly faithful to the original game, but slightly different, though that has the unfortunate side effect of making the game incredibly short. There are now save rooms and places to recharge your health and ammo. The secrets are more well-hidden and the levels better designed. The bosses are actually bosses this time, and there's more of them. Items and abilities from Samus's later adventures are here too. It even has a special surprise twist at the end. This game is pretty good and completely replaces the original, even going as far as including the original game as an unlockable when you beat the game on any difficulty.
    Zero Mission, unlike the original game, is a GREAT place to start with the 2D Metroid series. A little too great. You see, I actually don't care much for this game because I feel that it thinks I'm stupid. Metroid Zero Mission, to ME at least, seems like "Baby's First Metroid". Unless I'm trying to collect everything, I don't think this game is much better than "good". I seem to be the only person to think that, though, so please don't listen to me and play it.
    And that wraps up Metroid and its remake. These games are good, don't get me wrong, but as far as the 2D Metroid series goes, every other game in the series beats them to a pulp. I still pull out Metroid every few months and have a blast with it, and Zero Mission has been growing on me more and more the past few months since I got a repro cart for my GBA. All the 2D Metroids are great games, but these two are slightly less great than the rest, at least to me. This shows us, though, that there is a lot more to look forward to in the series. And that's coming very soon.
    Next week: Metroid's flaws are ironed out in my favorite Game Boy game, and Samus starts two new eras of 2D Metroid twenty-six years apart.
     
    I hope you are enjoying Month of Metroid so far. This took me a long time to write! Hopefully you guys like this and consider trying out the Metroid series. It's not my favorite series ever without a reason.
  7. Like
    HDN got a reaction from RickR for a blog entry, BLOG ANNOUNCEMENT: September is the Month of Metroid!   
    Hey guys! I know it's been a while since I updated the blog. I had a lot of stuff going on for a few months after that last post and eventually I sort of forgot about the whole blog thing. But I'm back now, and with a very special month planned for you all.
    As some of you might know, Metroid (specifically the 2D games) is my favorite video game series of all time. So you can imagine my shock in June while I was watching Nintendo's E3 presentation live with my friends when out of NOWHERE Nintendo announces that Metroid 5 is finally coming out! The first original Metroid game in NINETEEN YEARS! What's more, it's called Metroid Dread! That name might not mean much to you guys, but there have been rumors of a DS game with that same name floating around since 2005! I'm incredibly happy to see my favorite series getting a new entry. We Metroid fans don't get a lot of new games often.
    To celebrate Dread coming out for the Switch on October 8th and the Metroid series's 35th anniversary, I have decided to make September the Month of Metroid. There are four Fridays that month, and four mainline Metroid games. I have decided to cover a new game each Friday on this blog, from 1986's NES Metroid all the way to 2002's Metroid Fusion. I won't be covering the spinoffs or Prime games, just the 2D ones. However, I will be talking about the remakes of each game (if they have them) alongside the originals. I hope you guys enjoy it and it helps you get hyped up for Dread!
    Have you guys ever played a Metroid game before? Are you guys going to buy Dread when it comes out? Have you always wanted to try out the series but never have? Please comment below to let me know!
    I can't wait to get blogging again! 

  8. Like
    HDN got a reaction from MaximumRD for a blog entry, BLOG ANNOUNCEMENT: September is the Month of Metroid!   
    Hey guys! I know it's been a while since I updated the blog. I had a lot of stuff going on for a few months after that last post and eventually I sort of forgot about the whole blog thing. But I'm back now, and with a very special month planned for you all.
    As some of you might know, Metroid (specifically the 2D games) is my favorite video game series of all time. So you can imagine my shock in June while I was watching Nintendo's E3 presentation live with my friends when out of NOWHERE Nintendo announces that Metroid 5 is finally coming out! The first original Metroid game in NINETEEN YEARS! What's more, it's called Metroid Dread! That name might not mean much to you guys, but there have been rumors of a DS game with that same name floating around since 2005! I'm incredibly happy to see my favorite series getting a new entry. We Metroid fans don't get a lot of new games often.
    To celebrate Dread coming out for the Switch on October 8th and the Metroid series's 35th anniversary, I have decided to make September the Month of Metroid. There are four Fridays that month, and four mainline Metroid games. I have decided to cover a new game each Friday on this blog, from 1986's NES Metroid all the way to 2002's Metroid Fusion. I won't be covering the spinoffs or Prime games, just the 2D ones. However, I will be talking about the remakes of each game (if they have them) alongside the originals. I hope you guys enjoy it and it helps you get hyped up for Dread!
    Have you guys ever played a Metroid game before? Are you guys going to buy Dread when it comes out? Have you always wanted to try out the series but never have? Please comment below to let me know!
    I can't wait to get blogging again! 

  9. Like
    HDN reacted to 1Littlebeast for a blog entry, Pac-Attack   
    It's time for my Pac-Attack review. Recently I've been spending a lot of time with this game. For those who haven't played Pac-Attack it is a 1993 falling-tile puzzle video game developed and published by Namco for the Super Nintendo Entertainment System and Sega Genesis. Or to put it in simpler terms it's Tetris featuring Pac-Man. 😂 Your goal just like in Tetris is to eliminate the blocks to get as many points while trying not to hit the top of the board. In this game to add a little twist the Pac ghost's 👻 are lumped in with the blocks and to get rid of the ghosts and make the blocks fall just like in Pac-Man he's got to waka waka over and eat them. I enjoy the soundtrack I find myself humming along to it. On top of your regular mode there's also a puzzle mode with 100 levels and a multiplayer option. I give this game 8 out of 10. It's a fun game and I recommend giving it a try if you haven't.
    Below is some screenshots of the game and a PDF of the manual..Pac-Attack (USA).pdf
  10. Like
    HDN reacted to MaximumRD for a blog entry, SHADOWMAN games   
    😎I've never finished it but I played the original SHADOWMAN first on the N64 followed by the DREAMCAST then years later the PC version (from STEAM or GOG I cannot recall) of course, each version had some minor improved visuals but here I am again this time playing the recently released REMASTERED version on PC. It runs great and though still incredibly dated it's the best it's ever looked. I like the atmosphere and it's somewhat a guilty pleasure game for me like NIGHTMARE CREATURES etc. Here's a couple grabs I took just now. 

     
     

     
    ANY FANS? 😎
  11. Thanks
    HDN got a reaction from chas10e for a blog entry, One year ago today, I got the system of my dreams.   
    Whoa! It's been a while since I last blogged! Sorry about that, readers!
    Today is a special day indeed. It's the one-year anniversary of when I first got my Atari 2600s! I thought I'd post a little something here about my systems in particular. I already made a very long status update about this (which I'll archive here at the end of the blog so it doesn't disappear forever), but here in this blog entry I'd like to touch on the history of these systems from what I have heard through the years from my "ancestors".
    There were two "dream systems" that I had always wanted, a Game Boy of some sort (I got a GBA) and an Atari 2600. I got both of them just a couple of months apart. However, once I achieved this lifelong goal of mine a cosmic balance was disturbed and the world imploded on itself (see: pandemic). I'm still happy to have them, though.
    Today is all about Atari, not GBA. Ever since I was a wee lad (almost as long as I can remember, honestly), I have wanted a very specific Atari 2600: my dad's cousin's. Jon (that was his name) still had his childhood Atari 2600 sitting in his parents' basement all these years later, and I wanted it DESPERATELY. For years, I had envied his neglected Atari. When Jon's dad was moving in to a retirement community early last year, Jon and his family were downsizing and moving into his parents' old house. Downsizing meant getting rid of things they didn't use anymore. Downsizing meant I FINALLY GET AN ATARI!
    Anyways, let's talk about these systems' histories. My dad was the first to get a console, a Magnavox Odyssey 2 (which is sadly no more). About a year later, (probably 1981) Jon got his woodgrain Atari VCS. The manufacture date on the system is June 27th 1981 (I hope it doesn't get picked for the lottery), so I'm guessing maybe Christmas of that year. I believe he may have spilled soda or something on this one given the state of the insides when I got it. The switchbox also had a pitchfork missing on it. 
    Later on, he must have gotten the Vader, which I could not find a manufacturing date inside of. This one worked just fine when I got it, and it's the 2600 I like to use. It matches my desk very well. 
    According to my dad, some of their favorite games growing up were Frogger, Pitfall!, Video Pinball, Pac-Man, Keystone Kapers, Donkey Kong, and Carnival. He also says that they thought that Pac-Man was great at the time and didn't really notice much of a difference from the arcade game. As kids, they spent many hours trying to figure out Raiders of the Lost Ark to no avail and played a lot of Air/Sea Battle and Combat together (Tank Pong all the way). And yes, they hated ET. My dad remembers that he and Jon were playing ET one day soon after it came out and another one of their friends came over. He took a look at the TV and asked, "What's the point of this game? To cut ET's mouth?". Jon and my dad started laughing really hard (for some reason), and to this day whenever my dad sees ET (the movie or the game), he'll bring up getting his mouth cut.
    Oh, and the paddle games! My dad hated those. "If you just looked at it funny it would shoot to the other side of the screen," my dad once said regarding Breakout. And when I first played with them, yikes! It was very jittery. I fixed them, and now they work just fine. I've successfully converted my dad to the pro-paddle side.
    I'm happy to have this system. Here's to another year of 2600 goodness!
  12. Like
    HDN reacted to - Ω - for a blog entry, One man's Journey with the TI-99/4A Home Computer (Part 3)   
    So what do you do when your TI-99/4A system is expanded as far as possible?  Simple, start another system!  I'm not sure where I'll take this one next, but so far...

    .. currently my beige "portable system" has a TIPI/32K with RPi ZERO W and a speech synthesizer.  Hopefully someday the F-18A MK2 will finally hit the market.  This entry will be updated if/when anything changes!
     
     
  13. Like
    HDN got a reaction from RickR for a blog entry, One year ago today, I got the system of my dreams.   
    Whoa! It's been a while since I last blogged! Sorry about that, readers!
    Today is a special day indeed. It's the one-year anniversary of when I first got my Atari 2600s! I thought I'd post a little something here about my systems in particular. I already made a very long status update about this (which I'll archive here at the end of the blog so it doesn't disappear forever), but here in this blog entry I'd like to touch on the history of these systems from what I have heard through the years from my "ancestors".
    There were two "dream systems" that I had always wanted, a Game Boy of some sort (I got a GBA) and an Atari 2600. I got both of them just a couple of months apart. However, once I achieved this lifelong goal of mine a cosmic balance was disturbed and the world imploded on itself (see: pandemic). I'm still happy to have them, though.
    Today is all about Atari, not GBA. Ever since I was a wee lad (almost as long as I can remember, honestly), I have wanted a very specific Atari 2600: my dad's cousin's. Jon (that was his name) still had his childhood Atari 2600 sitting in his parents' basement all these years later, and I wanted it DESPERATELY. For years, I had envied his neglected Atari. When Jon's dad was moving in to a retirement community early last year, Jon and his family were downsizing and moving into his parents' old house. Downsizing meant getting rid of things they didn't use anymore. Downsizing meant I FINALLY GET AN ATARI!
    Anyways, let's talk about these systems' histories. My dad was the first to get a console, a Magnavox Odyssey 2 (which is sadly no more). About a year later, (probably 1981) Jon got his woodgrain Atari VCS. The manufacture date on the system is June 27th 1981 (I hope it doesn't get picked for the lottery), so I'm guessing maybe Christmas of that year. I believe he may have spilled soda or something on this one given the state of the insides when I got it. The switchbox also had a pitchfork missing on it. 
    Later on, he must have gotten the Vader, which I could not find a manufacturing date inside of. This one worked just fine when I got it, and it's the 2600 I like to use. It matches my desk very well. 
    According to my dad, some of their favorite games growing up were Frogger, Pitfall!, Video Pinball, Pac-Man, Keystone Kapers, Donkey Kong, and Carnival. He also says that they thought that Pac-Man was great at the time and didn't really notice much of a difference from the arcade game. As kids, they spent many hours trying to figure out Raiders of the Lost Ark to no avail and played a lot of Air/Sea Battle and Combat together (Tank Pong all the way). And yes, they hated ET. My dad remembers that he and Jon were playing ET one day soon after it came out and another one of their friends came over. He took a look at the TV and asked, "What's the point of this game? To cut ET's mouth?". Jon and my dad started laughing really hard (for some reason), and to this day whenever my dad sees ET (the movie or the game), he'll bring up getting his mouth cut.
    Oh, and the paddle games! My dad hated those. "If you just looked at it funny it would shoot to the other side of the screen," my dad once said regarding Breakout. And when I first played with them, yikes! It was very jittery. I fixed them, and now they work just fine. I've successfully converted my dad to the pro-paddle side.
    I'm happy to have this system. Here's to another year of 2600 goodness!
  14. Like
    HDN got a reaction from RickR for a blog entry, Ranking the Classic 2D Super Mario Games!   
    Today's entry of GFBMT is going to be a little different. Today, I will be ranking the Classic 2D Super Mario games from best to worst. I won't be going in-depth here, just listing the games. We'll be ranking the pre-NSMB (New Super Mario Brothers) era Super Mario games that appeared on Nintendo systems (Sorry, Super Mario Brothers Special!). We will also only be talking about the mainseries Super Mario games, not any of the spinoffs. Mainly, Super Mario World 2: Yoshi's Island and Wario Land: Super Mario Land 3 won't be included here.
    These are just my opinions. I do plan to review most of these games in-depth in future blog entries, whenever that will be. We are also only looking at the original versions of these games. We will NOT be counting any remakes, such as Super Mario All-Stars, Super Mario Brothers Deluxe, and the Super Mario Advance games.
    Without further ado, my rankings from best to worst!
    Super Mario World This game is simply superb. While there are loads of great things about World, such as the bountiful secrets and fantastic score, the absolute greatest thing about it is the superb physics. Mario handles like a dream. It's impossible to put into words how much better he feels than he did in Super Mario Brothers 3. You'll just have to play it for yourself. Super Mario World is my favorite 2D Super Mario game of all time, and one of the greatest games ever made.
    Super Mario Brothers 2 (USA) (Super Mario USA in Japan) I have always enjoyed this one. The game is short enough so that the lack of a save feature isn't that bad, and the game's 20 levels offer a lot of variety and challenge. The music in this game is phenomenal as well. Four different playable characters add strategy and replay value to the game. Sure, the NES version may not be as forgiving as its SNES and eventually GBA remakes are, but unlike its sequel Super Mario Brothers 3, the NES version still holds up pretty well today. Though this originally was released as a non-Mario game in Japan, this sprite-swapped version of the game still seems to feel like a Super Mario game, and improves on the shortcomings of the original in many ways.
    Super Mario Land Here's one I adore. Super Mario Land may not be as polished as many of the other games on this list, but it has lots of its own feel and character that make it stand out above the rest. Though the gameplay quirks hold it back behind SMB2 and SMW, it still managed to be pretty close to my top spot. Mario creator Shigeru Miyamoto had no involvement in this game, and it shows! The wacky and foreign atmosphere of Sarasaland hasn't been replicated before or since SML's release in 1989. The physics, while wonky at first, actually work quite well for the game. At a measly twelve levels, Super Mario Land is the shortest game on this list, though the game is challenging and is highly replayable. The game also has a hard mode, which is sorely lacking from so many other games.
    Super Mario Brothers This is the only Super Mario game that I own on the NES. This is a truly fantastic game, with excellent physics that still hold up 35 years later. While I'm very nostalgic for the SNES version, I feel I prefer the NES version for its superior physics. This game was a real game-changer at the time and is often credited for revitalizing the North American console game industry. This game is amazing.
    Super Mario Land 2: 6 Golden Coins Another great game, and while I will admit this is a better game than the original Super Mario Land, I don't prefer it. Mario has incredibly floaty physics in this game, though I don't really mind them much here. At least his momentum makes sense, unlike our next game. Super Mario Land 2 has a unique non-linear World Map setup, and it has mostly unique and new enemies and bosses. This was the last-released game on this list, and is a very unique one at that. If only modern 2D Mario games offered the same amount of uniqueness and diversity instead of regurgitating the same generic Mario garbage with every release. I've been using the word "unique" a lot here, and that's the word that best describes this game.
    Super Mario Brothers 3 All of the games mentioned before this point are among my favorites. Super Mario Brothers 3 is not. I just don't like this game, though I've really tried to. Everyone else seems to like it quite a bit. In my opinion, Super Mario Brothers 3 is just OK. Whenever someone says differently, ESPECIALLY when someone likes it better than Super Mario World. The NES version has some flaws that are inexcusable and make the game the worst-aged of the NES SMB releases. There's absolutely no way to continue after turning off the system, not even a password system. Sure, there's the Warp Whistles, but good luck beating the later levels without a stockpile of items. Mario 3 is a long game, several hours in fact. But whatever, I can look past that. The real killer of this game is the horrendous physics. Mario is so freaking floaty here, and his momentum and jumping is unpredictable. I've played this game a lot, and I still mess up all the time. There's a jump in one of the World 5 fortresses I often think of. It looks like you should run and jump to it, but whenever I do that I always overshoot it. Landing on small platforms is always a source of anxiety. Everything about how this game controls is just jarring to me. While I enjoy SMB3 enough, these physics always hold me back and take way too long to get used to. This game just isn't the masterpiece everyone says it is.
    I like the All-Stars version much more, and I can see why some people enjoy that more than World (though I don't agree), but the NES version just kind of sucks.
    Super Mario Brothers: The Lost Levels (Super Mario Brothers 2) (JPN) I was debating whether I should even put this on the list. Obviously, the Famicom Disk System version of SMB2 is the worst of the classic Mario games! Need I say more? While the original version sucks, I think I might like some of the remakes more than the original NES version of SMB3.
     
    Sorry for going off on Super Mario Brothers 3 there! That's always been a source of rage for me. I hope you enjoyed my rankings. What are your thoughts?
  15. Like
    HDN got a reaction from RickR for a blog entry, Superman for Atari 2600 | Man of Stella   
    I'm not a big comic book fan. I remember reading some DC comics (Detective Comics comics?) that came out of a box of cereal when I was around seven or eight and being too bored to finish it. All of my subsequent efforts to get into comics have more or less ended the same way. Most recently, I got some comic books with my 2600 stuff back in March. Four vintage Superman comics were mixed in with the manuals, from around the same time the movies were coming out (as there were a few advertisements in there for them). I never did finish them, but I did look through the ads. I should give them a second go sometime.
    Also with the 2600 manuals were a few Atari-themed comics. I believe issues 2 through 4 of Atari Force were in there from Berzerk, Star Raiders, and Phoenix if I remember correctly. I don't remember how many Atari Force mini-comics were released. I, as big of an Atari fan as I am, couldn't finish them.
    As far as superhero comics go, the only one I believe I have read to completion in recent years (if you count it as one) was "The Quotile Ultimatum", the mini-comic included with Yars' Revenge. I really enjoyed this one and how creative it was. Atari Force didn't seem to be near as accurate to their source games as this one was, but I should take another look at those. This mini-comic was very creative in expanding the "lore" of Yars' Revenge.
    I'm not saying that I don't like comics as an artform. I actually used to really enjoy reading the Sunday comics as a little kid before realizing how painfully unfunny they were. I also used to read a few "graphic novels", and I even had my own "comic strip" for a while (we'll get to Metroid's Turnover Tops another day). I just don't like superhero comic books. Is it that I'm intimidated by them? A little. I feel like I need to do some serious catching up to do on all the backstories, and I couldn't just jump right in on any issue. Is it because I don't give two craps about the characters? That's a part of it for sure. I feel the biggest reason, however, is that I just found them boring. I never much cared for action scenes in books and movies, even less in my youth. I've always prefer the story-driven segments of movies or books, and action scenes have always been less interesting to me as a whole. That's part of the reason I prefer Star Wars (A New Hope to all you filthy casuals out there) to Empire Strikes Back. Action scenes are even worse in a comic book, as you have to leave something up to the imagination, but it isn't as free and creative as when you're interpreting the words of a book. It's too limited to imagine the scenario for yourself, but just abstract enough to not be like a cool movie spectacle. I don't prefer action scenes in movies and books to story driven scenes, but in comics, it just seems to be all action and not enough story. And the action itself is considerably worse than if it was in a novel or movie.
    Now, with that said, I do enjoy some superhero movies. I think what really introduced me to them (if you don't count Star Wars, which you shouldn't count anyway) was Marvel's Guardians of the Galaxy. I loved this movie. It was funny, had lots of story elements, and yet still had enough things to make it a superhero movie. Shortly thereafter, we rented and watched (multiple times) its sequel, which was better in every regard. Guardians Volume II was funnier, built on the characters and story, had some emotional and suspenseful moments, and had a killer soundtrack. If you haven't already, watch the Guardians movies and get the soundtracks. But I digress. I later watched some more movies in the MCU, and even saw Endgame in theaters with my friends on opening weekend. I haven't seen all of the MCU movies yet, but all the ones I have seen were excellent films.

    So let's talk Superman for the Atari 2600, one of the first-ever licensed games. Superman was created by John Dunn and released in 1979. While Superman was released a few months before it, Dunn actually built this game off of Warren Robinett's Adventure engine. The reason this game came into being is because Atari's parent company, Warner, already had the rights to the character. Superman was a sort of tie-in game with the recently released movie, though other than the characters the games have nothing alike.
    I had actually never seen Superman until a couple of months ago. I enjoyed it, though it wasn't as good as Superman II, which I had seen years prior. You know those rotating triangle prison things? I think of those all the time, especially when I'm playing Freedom Fighters! on Odyssey 2. As well as "kneel before Zod".
    So, like Adventure, Superman is a multi-screen action-adventure game. You play as Clark Kent at the beginning. Walk to the right, and you'll see Lex Luthor and his henchmen blow up the Metropolis bridge. Make your way to the phone booth and change into Superman! Now your job is to put all the crooks in prison, which are all symbolized by a bar by the timer, and find the three bridge pieces and rebuild the bridge. Once the bridge is fixed, make your way to the phone booth to change back, and make your way to the Daily Planet newspaper building to finish the game. Use the joystick for moving and press the button for X-ray vision. This will let you look ahead one screen in whatever direction the joystick is positioned in, which is useful for finding important items and avoiding upcoming danger.
    Superman isn't all sunshine and roses, however. Though Kal-El can't actually die, he can be inconveniced by the numerous Kryptonite Satellites Luthor has unleashed. If Superman were to touch one, he would lose his ability to fly and carry items and villains. Your powers can return by simply touching Lois Lane, who will kiss you and return your powers. I'm not a big comic book guy, but I don't remember anything like this happening. Is this accurate?
    There are two main variations to the game: one player and two players. The two player option sees both people controlling different axes of Superman's movement. It's not good. The single player option gives one player full control of Superman. Unlike Adventure, there is only one game map, though there is an accurate in-game timer that pushes you to complete the game in as little time as possible, in a way making this one of the first speedrunning games. The difficulty switches determine the speed of the satellites and bad guys, and whether or not Lois will automatically come to your aid if you are hit.
    The graphics, while not great for the system, were leaps and bounds (over tall buildings) over any other game that preceded it on the VCS. Take a look at all the other games from the 1970's Atari VCS catalog. Some of the "better looking" games were Basketball, Human Cannonball, and Sky Diver. Superman had lots of animation, multicolored sprites, and lots of individual assets. John Dunn's art background really shows here, despite his boss telling him to "not get too artsy with it". Despite the nice graphics, Superman suffers from a lot of flicker, which can occasionally make it difficult to pick up items. No biggie, though.

    I never liked this game back in the Wii2600 games. It's much less self-explanatory than its sister game, Adventure. I never knew what I was doing. Why was the city stacked up like it was? What was I supposed to do? What were all these doors and colored rooms? Indeed, Superman is a game where you at least need to know the backstory in order to play. It wasn't fun to play it without it. It also helps to know what the subway station does, and what you need to do once the bridge is rebuilt and all the bad guys are in jail. I'd say this is one of those "manual games", though it isn't as necessary as it is in say, ET. You can explain the goal of Superman in a sentence or two and be able to play the game correctly. You don't need to worry about strange symbols at the top of the screen or energy meters or anything as complex as ET. Or Raiders of the Lost Ark, for that matter!
    When I refreshed my knowledge of what I was supposed and what everything was to do the other day, I booted up Superman on my DSi using an emulator. I can't find a way to get the thing to change the difficulty switches, so I was stuck playing with fast satellites, fast Lex Luthor and henchmen, and most deviously the elusive Lois Lane, who was nowhere to be found when I found myself weakened by a satellite. Most of my time spent playing Superman that first time was spent looking for Lois to heal me and stumbling across Metropolis, as I didn't have a map with me. I ended up beating the game (for the first time ever, I might add) in a whopping twenty-nine minutes and thirty seconds. Definitely not faster than a speeding bullet.

    It's easy to compare this game to its sister game Adventure. There are things that Superman does better than Adventure and vice-versa. For one, Superman has much better graphics, animation, and spritework than Adventure does, while it also has a built-in timer and a "task list of sorts". The timer is like a score; beat the game in the lowest time possible. Adventure doesn't have this, which in a way gives the player less incentive to keep replaying it. Superman also has a lot more goals to accomplish, like going to work, building the bridge, and putting everyone in jail. The game also has more human characters and a much more complex story than its fantasy-themed counterpart, and even though its multiplayer mode is less than ideal, at least it has one.
    However, Adventure has a world layout that is, while still not perfect, much more logical than Superman's. With a strictly top-down perspective, moving in four directions works much better and makes more sense here than in Superman's sandwich-like layered city. Adventure's world also has more distinct environments, and the world is generally less confusing as it doesn't wrap around. Metropolis looks nice, but it all looks the same, and while Adventure's world doesn't look as nice, at least they are distinguishable. There are also more items to interact with in Adventure, like keys, swords, and magnets to name a few. These items also serve functional in-game purposes rather than just being a thing that you have to bring to a specific spot on the map. There are also multiple maps and game variations, including a beginner mode, a larger map, and a randomized variant.
    So, which one is better? I'll leave that one up to you. Personally, I think I'm in the Adventure camp on this one, though Superman is really fun too. It's just that Adventure does a much better job of being an adventure game. The world makes more sense to me, and I like the strategy of choosing your item and always being on the lookout for the dragons. There's also a lot less time wasted in Adventure. Not that I don't like Superman, I really do. There are things that it does much better than Adventure, especially the timer and graphics. It's just that if I had to pick only one of them, I'd probably go with Adventure. Or as my damaged label says, Dventure.

    I don't yet have Superman. I recently sent one of our members a PM. @Scott Stilphen has been selling some of his Atari 2600 games for years, and he has this one listed as one of his for sale. I'm waiting for him to respond, but I hope to purchase this game and a few others from him in the future, if he still has them available, of course.
    So, overall, Superman on the Atari 2600 is a great game if you know what you're doing. It is especially fun to compare and contrast both Superman and Adventure, and play them side-by-side. I had a lot of fun researching and writing this blog post, so I hope you enjoyed it. 
    Sadly, due to obvious copyright issues, Superman hasn't been rereleased in modern Atari compilations. So if you want to play it, you'll have to emulate it or pick up a copy someplace. It's much less sought-after than Adventure, and you should have no problem finding it for a decent price. It's well worth it.
    Take care, everyone, and I hope you enjoyed my blog post!
  16. Like
    HDN got a reaction from socrates63 for a blog entry, Flag Capture on VCS | Hard to Capture in the Wild   
    Recently, I have been thinking of my favorite games on the Atari VCS and coming to the realization that I have some pretty unpopular tastes. Pac-Man, the "worst video game ever", in my number two spot? Donkey Kong closely behind at number three? Artillery Duel in the top-ten? Video Chess near the top of my most-wanted list? These are some pretty unpopular, if not downright hated games. What's more, some of the 2600's most beloved games, like Yars' Revenge, Adventure, and Pitfall!, aren't near the top of my list. Not that I dislike these games; quite the contrary. I just have some that I prefer more.
    This also got me thinking of Flag Capture. Ever since the Wii2600 days, I have really liked this game. I'm very fortunate to have people in my life, particularly my dad, who will sit down and play Atari with me. My dad and I like to play video games together sometimes. With some experimentation, I have found that it is most fun to play the older, simpler games together, like 2600 through Super NES. I've also found that it's more fun to play games with direct competition rather than co-op. This game was always a fun one to play on the Wii or Atari Anthology on XBOX.
    Strangely, I've found that this is one of the more hated games on the system. It's not as famous as Pac-Man or ET are as Flag Capture (released by Sears as simply Capture) didn't sell too well. I never understood the hate for this one.
    This is also one of the less common games for the system. Not terribly rare, but I've never found one in the wild. And believe me, I've tried. This one was very elusive. I've found XONOX Double Enders in the wild at my regular used-game store. I saw a JVC X'Eye, a Sega Nomad, and a CIB Jaguar there, too. Motor Psycho, sure! Tengen Tetris, you betcha! But no Flag Capture. I simply couldn't find it in the 2600 rack, and I looked every time. Thankfully, Flag Capture isn't terribly sought-after and still goes for pretty cheap; about the same price as your average 2600 game.
    So where did I get my copy of Flag Capture after all? I never did find it at that store, despite their large 2600 collection. Instead, Atari.io's very own @socrates63 kindly sent it to me. Young was kind enough to send me something from our recent Retro Junk Box, which I was unable to participate in. What I didn't know at the time is that he was going to send SOMETHINGS, plural. Flag Capture was a big surprise for me. Thanks, Young!

    Flag Capture was released in 1978 for the Atari VCS and contains 10 "Video Games". Developed by Jim Huether, Flag Capture was initially designed as an adaptation of Stratego. If you're unfamiliar with Stratego, it's a board game that involves teams of two players traversing across the board attempting to capture the opponent's flag piece. Each of the pieces is assigned a number, one through ten, and the design of the pieces shields what it is from the opponent. If two pieces touch each other, the piece with the lower number is discarded. Along with the numbered pieces are spies, which are the only pieces that can kill the number ten pieces, bombs, which will blow up anyone who comes in contact with it (except 3), and the flag. On each turn, you can move one piece one space (except for twos which behave like rooks in chess) in any cardinal direction. Think of Stratego like Chess with a pecking order and end goal. I'm not very good at the game, but I enjoy it quite a bit.

    Due to the limitations of the VCS and the 2k ROM cartridges of the time, Huether couldn't make a straight port of the game to the lowly 2600. Instead, he took the core element of the game, finding the flag, and ran with it. What we're left with is Flag Capture, which plays like a mix of Stratego and Minesweeper.

    Flag capture is certainly a unique experience on the 2600. For most of the variations, two players go around the 7x9 grid of squares searching for the flag before the other. Each player can press the button while on a square to search underneath it. Several clues aid the player towards the whereabouts of the hidden flag. One could find arrows pointing in the general direction of the flag, numbers indicating how many spaces away the flag is from the player, and devious bombs that send the player back to their corner of origin. The goal of most two-player variations is to find the flag fifteen times before the opponent. Especially in the first variation, games between players can get pretty hectic and fun.
    The variations are where the game really shines. The default mode has both players freely moving around the grid simultaneously. This mode challenges players to not only think faster and smarter than their opponents, but also use their reflexes to get to the right block before the other. If you'd prefer something a bit slower-paced, there is also a mode in which both players take turns moving around and checking spaces, a bit like a board game. There are also modes in which both players solve their own individual flag puzzles and compete to see who can get the flag in the least amount of space-checks, as well as variations where the flag will move after every space checked.
    If you're going solo, Flag Capture has you covered to an extent. The last few variations are one-player time trial modes. You must find the flag as many times as you can within 75 seconds. This game mode is fine, though it's missing a little something without another player. Still, Flag Capture has a much better for a single player than many other 1970's games on the VCS. I'd rather play Flag Capture by myself than Combat or Outlaw.
    Flag Capture, while not a must-have for the system, is a worthwhile pickup if you can find it. Especially if you have another person willing to play Atari 2600 with you, Flag Capture is a spectacular time. I'd say that Flag Capture is one of the better 2600 games of the 1970's.
     
  17. Like
    HDN got a reaction from RickR for a blog entry, Flag Capture on VCS | Hard to Capture in the Wild   
    Recently, I have been thinking of my favorite games on the Atari VCS and coming to the realization that I have some pretty unpopular tastes. Pac-Man, the "worst video game ever", in my number two spot? Donkey Kong closely behind at number three? Artillery Duel in the top-ten? Video Chess near the top of my most-wanted list? These are some pretty unpopular, if not downright hated games. What's more, some of the 2600's most beloved games, like Yars' Revenge, Adventure, and Pitfall!, aren't near the top of my list. Not that I dislike these games; quite the contrary. I just have some that I prefer more.
    This also got me thinking of Flag Capture. Ever since the Wii2600 days, I have really liked this game. I'm very fortunate to have people in my life, particularly my dad, who will sit down and play Atari with me. My dad and I like to play video games together sometimes. With some experimentation, I have found that it is most fun to play the older, simpler games together, like 2600 through Super NES. I've also found that it's more fun to play games with direct competition rather than co-op. This game was always a fun one to play on the Wii or Atari Anthology on XBOX.
    Strangely, I've found that this is one of the more hated games on the system. It's not as famous as Pac-Man or ET are as Flag Capture (released by Sears as simply Capture) didn't sell too well. I never understood the hate for this one.
    This is also one of the less common games for the system. Not terribly rare, but I've never found one in the wild. And believe me, I've tried. This one was very elusive. I've found XONOX Double Enders in the wild at my regular used-game store. I saw a JVC X'Eye, a Sega Nomad, and a CIB Jaguar there, too. Motor Psycho, sure! Tengen Tetris, you betcha! But no Flag Capture. I simply couldn't find it in the 2600 rack, and I looked every time. Thankfully, Flag Capture isn't terribly sought-after and still goes for pretty cheap; about the same price as your average 2600 game.
    So where did I get my copy of Flag Capture after all? I never did find it at that store, despite their large 2600 collection. Instead, Atari.io's very own @socrates63 kindly sent it to me. Young was kind enough to send me something from our recent Retro Junk Box, which I was unable to participate in. What I didn't know at the time is that he was going to send SOMETHINGS, plural. Flag Capture was a big surprise for me. Thanks, Young!

    Flag Capture was released in 1978 for the Atari VCS and contains 10 "Video Games". Developed by Jim Huether, Flag Capture was initially designed as an adaptation of Stratego. If you're unfamiliar with Stratego, it's a board game that involves teams of two players traversing across the board attempting to capture the opponent's flag piece. Each of the pieces is assigned a number, one through ten, and the design of the pieces shields what it is from the opponent. If two pieces touch each other, the piece with the lower number is discarded. Along with the numbered pieces are spies, which are the only pieces that can kill the number ten pieces, bombs, which will blow up anyone who comes in contact with it (except 3), and the flag. On each turn, you can move one piece one space (except for twos which behave like rooks in chess) in any cardinal direction. Think of Stratego like Chess with a pecking order and end goal. I'm not very good at the game, but I enjoy it quite a bit.

    Due to the limitations of the VCS and the 2k ROM cartridges of the time, Huether couldn't make a straight port of the game to the lowly 2600. Instead, he took the core element of the game, finding the flag, and ran with it. What we're left with is Flag Capture, which plays like a mix of Stratego and Minesweeper.

    Flag capture is certainly a unique experience on the 2600. For most of the variations, two players go around the 7x9 grid of squares searching for the flag before the other. Each player can press the button while on a square to search underneath it. Several clues aid the player towards the whereabouts of the hidden flag. One could find arrows pointing in the general direction of the flag, numbers indicating how many spaces away the flag is from the player, and devious bombs that send the player back to their corner of origin. The goal of most two-player variations is to find the flag fifteen times before the opponent. Especially in the first variation, games between players can get pretty hectic and fun.
    The variations are where the game really shines. The default mode has both players freely moving around the grid simultaneously. This mode challenges players to not only think faster and smarter than their opponents, but also use their reflexes to get to the right block before the other. If you'd prefer something a bit slower-paced, there is also a mode in which both players take turns moving around and checking spaces, a bit like a board game. There are also modes in which both players solve their own individual flag puzzles and compete to see who can get the flag in the least amount of space-checks, as well as variations where the flag will move after every space checked.
    If you're going solo, Flag Capture has you covered to an extent. The last few variations are one-player time trial modes. You must find the flag as many times as you can within 75 seconds. This game mode is fine, though it's missing a little something without another player. Still, Flag Capture has a much better for a single player than many other 1970's games on the VCS. I'd rather play Flag Capture by myself than Combat or Outlaw.
    Flag Capture, while not a must-have for the system, is a worthwhile pickup if you can find it. Especially if you have another person willing to play Atari 2600 with you, Flag Capture is a spectacular time. I'd say that Flag Capture is one of the better 2600 games of the 1970's.
     
  18. Like
    HDN got a reaction from RadioPoultry for a blog entry, Don't go into a dark Alleyway because you won't be able to see your Game Boy screen.   
    This January I finally completed my North American Nintendo Game Boy launch lineup. I have said in the past that I have been collecting games for the original Game Boy since August of 2015, though that's only half-true. In August 2015 I bought my first DMG Game Boy game on 3DS Virtual Console. Not a physical cartridge, though since I did pay money for it, it sort of counts in my eyes. The first game I got on 3DS was not any of the GB NA launch games, rather it was a very late release, Game and Watch Gallery. Later in September I bought the amazing Metroid II: Return of Samus (Lots of backstory about that game) and Super Mario Land, the latter being a launch game.
    I didn't get a means of playing official Game Boy cartridges until Christmas Eve of 2016 when I got my Super Game Boy. Earlier in August while on vacation at Blue Harbor in Sheboygan, WI we were shopping at the only retro game store I knew of at the time. I believe it was called Freaktoyz or something. Anyways they had an SGB there for $15, the exact amount of money I had brought with me on vacation. I was seriously considering it. My dad used to have an original Game Boy in college that my mom sadly threw out in the early 2000's. I assumed he had some of his original games with him still somewhere in the house. I had been on the lookout for them for years since I have always been fascinated by the original Game Boy. I was pretty sure they were somewhere, but as I had been snooping around for them for years at this point I didn't want to risk it, so I opted for StarTropics on NES instead. I kid you not, two days later we were cleaning the basement and what did I find? A cloth bag thing filled with Game Boy games. I couldn't believe it. I had been looking for these for years, and right after I saw a Super Game Boy I found them! Only one of the games my dad remembered wasn't there, that being Centipede and Millipede. I assumed that one was in the Game Boy when my mom threw it out. But all of the other games were there. Here are all of the ones I remember being there:
    Tetris Baseball Play Action Football Sports Illustrated Golf The Legend of Zelda: Link's Awakening F-1 Race So right off the bat I had two of the launch lineup. Plus at that point I had Super Mario Land on 3DS.
    I didn't get another physical Game Boy cartridge until last year because I was never around any game stores (or at least I didn't think I was), but I did get a few more games on the VC, including Tennis. When I discovered my new regular game store, Game Trade in DePere, WI, I had recently gotten a Game Boy Advance system and was getting in to collecting for the Game Boy DMG, Color, and Advance, though mostly the OG. I had gotten some money for Christmas to fuel my collecting. Some of the first games I got were games I had loved on the 3DS VC and wanted to play them on somewhat original hardware. In the clearance bin I saw a very beat up copy of Tennis, so I decided to pick that up. I had enjoyed the game quite a bit on the 3DS and since it was so cheap, why not? When I got home I got on the list for a physical cartridge of Super Mario Land. That was the last physical cartridge I picked up, but today's game, Alleyway, was the last of the GB launch lineup I actually played. I picked that up on maybe my second or third Game Store run for five bucks. 
    Anyway, let's actually talk about Alleyway.

    Alleyway was a launch title for the original Game Boy in North America, Europe, and Japan. Here in the states it launched in 1989. Alleyway is a breakout-style game. Note that I did not say Arkanoid style game. Though this game came out several years after Taito's 1986 classic Arkanoid, which heavily expanded upon the format seen in Atari's Breakout and Super Breakout. Arkanoid added things such as powerups, weapons, and enemies to the mix. Alleyway does away with many of these, though it is still obvious that it was inspired by Arkanoid. For instance, each level is distinct in its layout. Super Breakout had some distinction, but that game did it very differently. Super Breakout's level design was much simpler in comparison and a lot less varied. Plus, to my knowledge you couldn't progress from level to level like you could in Arkanoid and Alleyway. I believe if you beat, say, the cavity screen for instance, you didn't transition to the progression or regular Breakout screens. At least I don't think you could. I've never been very good at the arcade version of Super Breakout or on any home system.
    Like Arkanoid and the earlier Breakout games, different shades of blocks earn you different amounts of points. In this case, the darker the shade of puke-green the more points you will get. The darker blocks also increase the speed of your ball, though it is nowhere near as noticeable as it is in some other block-breaking games. Also like the original Breakout, starting on the fifth stage, if your ball hits the top of the screen, your paddle will shrink in size.There are also some indestructible blocks in the game like those seen in Arkanoid. In short, Alleyway is like a midpoint between Super Breakout and Arkanoid.

    The game's progression consists of three stages using the same basic structure followed by a timed bonus stage. The four-level setup is reminiscent of the world layout of the original Super Mario Brothers on the NES. The first level in an Alleyway "world" is a basic level with nothing going on. The blocks stay still for this level. On the second stage they wrap around the screen horizontally. In this mode it is easy to get the ball stuck in a pattern and wipe out many bricks at once. The third stage appears to not move at first, but occasionally the blocks will descend another step towards your paddle. Nothing bad happens if they reach the bottom; they just disappear. This mode is a straight ripoff of the progression mode in Super Breakout. The fourth mode, as I previously mentioned, is a timed bonus stage. These stages feature cameos of Super Mario characters and items in block form. The player has about a minute (in real time; the seconds on the clock move way too fast) to clear out the entire field. This is much easier than it sounds; the blocks disappear in a Breakthrough style. Though it still can be a little challenging at times. The game sessions in Alleyway tend to last pretty long as I can play for quite a while without Game Over-ing.
    The sound and music in this game are quite nice. This early Game Boy title takes full advantage of the stereo headphone jack, providing some great musical ditties. The title theme especially gets stuck in my head. I also enjoy jingles between levels, before the bonus stage, and during the bonus stage. I really dig the music in this game. The sounds are your typical Breakout sounds. The Game Boy tries its best to provide an echo effect on some of the block-breaking sounds. I thoroughly enjoy the music and sound in this game and highly recommend using headphones while playing.
    The packaging of the game is also very cool. I like the behind the paddle perspective and the stellar color palate. It really gives of that intergalactic vibe. I don't know what it was with Breakout games and outer space. Super Breakout was about the interstellar adventures of... was it Captain Jack Chang? I remember it was Captain something Chang. Arkanoid also has a space theme, where you control the spacecraft Vaus jettisoned from the mothership Arkanoid after it was destroyed and caught in a space warp. This game appears to take place in outer space as well, though with a twist. The pilot of the spacecraft is none other than our man Super Mario. Or maybe just Mario, as the opening cutscene of the game shows a sprite of Mario hopping into the paddle that appears to resemble his pre-Super Mario Brothers appearance. He looks like a bootleg version of himself. Oh, early Game Boy graphics with your tiny, creepy little sprites...
    Game Theory time: What if this game was the inspiration for Super Mario Galaxy? I mean, they both take place in space. Maybe that's a bit of a stretch.

    Even when this game was first released in 1989 it was an incredibly basic and simple take on the genre. It didn't have the little nuances that made Arkanoid so great. It didn't even have a single powerup in it. If this game were released at any other time than at the very start of the first mainstream portable game system's life, it would have been laughable. But the Game Boy was a new concept for most people. Sure, the Microvision and Adventurevision predated the Game Boy by several years, and the former predated it by a good decade, but those consoles were for the most part failed attempts at bringing the console and arcade experience on the go. Plus, I feel that Alleyway was a good way at getting more casual non-gamers to play the Game Boy. Compared to the NES, Nintendo's handheld system offered a much more all-inclusive experience with typically easier and simpler game experiences. Tetris sold many systems to the non-gamer crowd, and Alleyway probably had a few copies bought by those Tetris players.
    So why play Alleyway now? This game has nothing to set it apart from the crowd. There are much more complicated and engaging Breakout style games out there nowadays, so why pick this one? I'll tell you why:
    The controls.
    In all of my life, I have never played a better controlling Breakout style game that uses a D-Pad. The controls this game has are second only to the paddle controllers seen on the 2600 and other potentiometer-based knob or dial controller. The control you have over the game's paddle is exceptional. I have played many other Breakout games with digital-style controllers, like Arkanoid on NES, 1001 Blockbusters for DSiWare, and others, but nothing comes close to controlling better than this game. The paddle moves at the absolute perfect speed for the game. It's honestly hard to explain how good it feels; you need to play the game yourself. If the paddle's base speed is too fast or too slow for you, never fear. The face buttons are here! In this game, the A button will "accelerate" the paddle while the B button will "break". That's how I remember their functions. Though I don't often use the face buttons in the game, they can come in handy in the later levels.
    So how would I rate this game out of ten for the system it's on. Sadly, I have to put it pretty low as there are so many better games on the system like Metroid II, Link's Awakening and Super Mario Land 2. If I had to I would probably rate it a 6/10. The game is really good, but there are so many other games on the Game Boy that are better. Though I rated it somewhat low, I still recommend picking it up. It's not in very high demand. The controls are exceptional enough to make the purchase worth it. The controls alone turn this game from yet another boring Breakout clone I played to one of my favorites in the genre. All in all, Alleyway is a game I love to "Breakout" and play a few rounds of from time to time.
  19. Like
    HDN reacted to 1Littlebeast for a blog entry, Super Mario Bros 35th Anniversary Game and Watch   
    The recently released Super Mario Bros Game and Watch scores a Solid 7/10. When compared to the original Game and Watches its missing some features but there is a lot of goodies that sort of make up for it and it will bring you hours of joy. To start the box has a protective sleeve over it  with a neat design on it. (Pictures below) But lets get into the meat of the Handheld the clock has Mario running through a level which you have 3 level faces to choose from that you are able to pick by pressing the Time button. While on the clock screen you are able to interact with the computer Mario that is running on the screen by pressing A or B. By doing so it will drop enemy's into the clock face and Mario will have to try and avoid, or defeat them. There are 35 events that happen on the clock face, from Mario moonwalking to Monty Mole appearing from the ground and running around. Depending on the time of day the face will also change to morning, evening, and night screens as well as change the enemy's that Mario is facing. To set the time and change the volume and brightness you will want to hit the pause/set button on the clock face screen. One hidden feature on the device is on the clock screen if you press and hold the A button for about 5 seconds you will be met with a screen for the Mario Drawing song which has subtitles in 7 different languages. Now there are three games on the device which are located under the games button you have Super Mario Bros, Super Mario Bros 2, and Game and Watch Ball. If you are in any of the games by pressing the pause/set button you will pause the game and will be met with 3 options Sound, Brightness and Reset game. Now there are some hidden features on the games as well on Mario Bros 1 and 2 if you click the game to start and hold A on the menu for about 5 seconds before starting the game completely you can enjoy the games with Infinite lives which can be nice lol. On Game and Watch Ball if you do the same thing you can swap Marios head for Luigis. Now before we talk about what is missing I want to mention that if you do not have it plugged in it will shut off after not being used for a few minutes and it will show you a going to sleep picture. If you have it plugged in the device will remain on. Now my only Gripes for this Handheld is since it is a clock it would of been nice if Nintendo would have included a kickstand on it like the originals had, and if it would of had a alarm function. I also wish that they would have included one more Game and Watch game making it have a total of 4 games 2 Mario and 2 Game and Watch. Overall I have had a lot of fun with it and would say if you find it at a store id pick it up. It would make a great stocking stuffer or Clock for your desk you can buy stands to put it on at a arts store or online on sites like Etsy etc. I hope you guys enjoyed my review and have a good week everyone. 😃   | Website | Trailer |   

  20. Like
    HDN got a reaction from RickR for a blog entry, SOS | Save our SNES!   
    So the other night my family and I sat down and watched the hit 1997 film Titanic. My parents always talked about how much they hated it, but last night is when us kids finally got the chance to see it. 
    I will say, parts of the movie are really well done. I have always thought the Titanic disaster was interesting, and my mother has as well. She knew a lot about it, to my surprise, and pointed out a few Easter eggs in the movie that would have gone over my head otherwise. For instance, there was one scene where the ship designer (I believe it was him) was staring into a fireplace or something, which was where he was supposedly last spotted. There was lots of stuff like that scattered throughout the film.
    The set design was also astonishing, and very accurate to the real-life design of the ship. I have seen what the vessel actually looked like from documentaries, pictures, footage of the wreck, et cetera, and the movie did a very good job replicating the original design.
    But the thing that completely ruined the whole movie for me was the horrible main story.
    The story! Jack, the stereotypical "poor boy" love interest character, and Rose, the stereotypical "rich girl loves boy below her social class" character. The whole thing is incredibly cliche. The two are "soulmates" and are so deeply in love, even though they have only known of each other's existence for less than a week. But no, just THROW THE NECKLACE IN THE WATER FOR YOUR DEAD PAL FROM 85 YEARS AGO, ROSE! And when you die, go make out with this dude you knew for like three days almost a century ago. Your husband you were married to for years? Screw him!
    And that stupid song! That song has been "memed" to death, and has been paired with so many stupid things over the years on the internet. I honestly can't take anything with that song in it seriously anymore, and since the story is so bad in the first place, the whole thing seems ironic to me. The song is so overused these days and paired with such stupid things, and the story qualifies as a stupid thing. It's not like it's a bad song or anything, it just doesn't carry the same emotional value that it did 20+ years ago. It is pretty cool that it was recorded in one take.

    You know, not many people know about this (including myself until yesterday), but there was actually a Titanic movie as far back as 1912. Yeah, it came out only 29 days after the tragedy occurred! Imagine someone releasing a 9/11 movie in October of 2001! How insensitive and horrible for the survivors! That's waaaaaay too soon to make a dramatization on such a contemporary and tragic incident.
    "Saved from the Titanic" starred a real Titanic survivor (who sadly experienced many emotional breakdowns on set) and even experienced with color in a few scenes. Unfortunately, all known copies of the film were destroyed in a fire in 1914, though it is rumored that a copy was given to president Taft and that it may still be preserved in his presidential library. A fake copy of the movie is currently on YouTube, though that isn't the original. Only the movie posters and a couple of stills exist today.

    So anyway, what were we talking about again? Oh, yes, our game! 
    When I was watching Titanic, I couldn't stop thinking about a certain Super Nintendo game I used to play back in the day called SOS. I didn't play the game as often as others (like Super Metroid, F-Zero, or Mortal Kombat II), but I had played it a bit and enjoyed it. It was a very hard game, and I never did get too far in it. So I decided to try it out again after watching the movie, as it had been a while and my video gaming skills had improved drastically.
    SOS has a copyright year of 1994 and was published by Vic Tokai here in the USA. The game was developed by Human Entertainment, who is probably best known for the cult classic Clock Tower. SOS is not to be confused with the other SOS game on the Super Nintendo, SOS: Sink or Swim! The two are completely unrelated from what I can see.
    Though this game reminded me of the Titanic disaster, the game's story is actually quite different than the events that occurred in 1912. From research I have done, SOS drew heavy inspiration from the novel and film "The Poseidon Adventure". Rather than an iceberg becoming the ship's undoing, there's a violent storm in which the boat, Lady Crithania, is capsized. The game is also set in the early 1920's rather than the early 1910's.
    So what's the gameplay like? I'm glad you asked. At the beginning of the game, you have a choice of several playable characters, each with their own backstory and in-game goals. For instance, Dr. Jeffery Howell will need to rescue his wife as his main objective. You have one hour in real time to escape the ship with as many survivors as possible. The ship will rotate randomly using some nice Mode Seven techniques, and that can either help or hurt you. The game plays like a Metroidvania, and there is no combat in the game. All you need to do is avoid obsticles such as fires, sparks, and falling from too great a height. If you die in the game, you'll be deducted five minutes from the in-game timer. If you're still in the ship when time is up, your game is over. Because off all of the different characters and endings, the game is very replayable.
    The level design is very much like a ship that's sinking. You have your broken tables, sparks, fires, carcasses, WATER of course. The thing that makes the level design hard is that the ship is constantly rotating and you play most of the game upside-down. The stiff controls also add to the challenge. Some say these controls ruin the game, though I feel they add to it. You're a random dude on a sinking ship, not an athlete. If you had Samus Aran's controls from Super Metroid, this game would be a breeze to complete. I feel the level design fits the controls well, and nothing seems particularly undoable.

    So, what are the problems with the game? It can't all be positive.
    As previously mentioned, the controls can make the game very frustrating at times. I have found myself draining my time very quickly because I kept dying due to the ship's unpredictable rotations. I understand why they made it this way, but that doesn't mean it can't be frustrating. Another thing that can be annoying is the absence of an in-game map. Expect to get lost a lot. Again, the ship's turning also makes it harder than it needs to be, as it can be very disorienting. The A/I of the survivors you rescue is also pretty bad. It isn't obvious at first, but you need to keep hitting a button to get them to follow you around. Just keep hitting "L", and they'll follow you. It's not too big of a problem, but it can get mildly annoying at times.
    Strangely, this game commands quite a high price. When I was cataloging my collection via Pricecharting.com, I was pretty surprised when I found out this game's value. SOS, loose,  goes for about $70 according to the site. Thanks, Dad, for not selling your games!
    This game also got a Japan-only sequel on the PlayStation.
    So would I recommend it? While SOS is a great hidden gem on the system, I simply can't recommend it because of the price. Is it a fun game? Yes. Am I glad I have it? Yes. But it's simply too much to pay for the game. While it's a great game, this is the SNES we're talking about here. This thing has a killer library of classic games like Super Metroid, A Link to the Past, and Super Mario World. So, for the system it's on and what it's up against, I'll have to rate it relatively low. Lower than I would like to otherwise.
    So, for the system it's on, SOS gets a 7/10 from me. If you find this one for a reasonable price in the wild, don't hesitate to pick it up and give it a go. It's a pretty great game, though it's not Super Metroid!
    I will say this: it's leaps and bounds better than the Titanic movie!
  21. Like
    HDN got a reaction from RickR for a blog entry, Flinging food in Food Fight   
    So this blog entry is a little special. Today, I will be covering a video game that I got through the I/O on the I/O! I bought this game and a few others from the one and only @chas10e a few weeks back. He's a great guy to deal with.
    When you think of classic arcade titles from the golden age, several come to mind before others. In my mind, there are divided into several tiers based off of popularity. Allow me to go off on a little bit of a tangent, but I feel that I need to list them.
    This is the top tier of popular classic arcade games. Not necessarily my absolute favorites, but I feel they still remain popular all these years later. Some examples from this category are Mr. and Ms. Pac-Man, Donkey Kong, Space Invaders, Galaga, and Dig Dug. Even non-gamers have heard of or even played these games before. This tier is slightly less popular than the first, though many modern and/or casual gamers have heard of them. Some examples are Galaxian, Xevious, Centipede, Q*Bert, Defender, and Asteroids. In this tier, we have games that were popular in their time, but not so much with the more modern crowd. Berzerk, Phoenix, Vanguard, Venture, Crystal Castles, and Moon Patrol all fall under this category in my eyes. These games are less popular than the third tier. Many gamers at the time when these were new haven't played or heard of these before. These games tend to be pretty obscure in the modern age. Many are hidden gems. The arcade version of the game we're talking about today, Food Fight, falls under this category, as well as Super Pac-Man, Pac & Pal, Bosconian, and GORF. Not that these games are bad, but they just weren't as popular as the others (though not flops on the market). These are the really obscure games, including flops on the market. Many games from the early 1970's fall under this category. Many of these are really obscure, and even serious retro gamers may not have heard of several of them. Examples include Stratovox, Anti-Aircraft, Star Ship One, and Taito's Japan-only Western Gun. I know some of you here have probably heard of most of these. So anyways, let's start talking about Food Fight already! The arcade version was released in 1983. Though the game was published by Atari, it was actually developed by General Computer Corporation. I won't get into their history now (I'll be saving that should I do a blog on Missile Command or Ms. Pac-Man), but do keep in mind that they were also behind the 7800 system itself. The arcade game used an analog joystick for aiming food in more than eight directions. 
    The goal of the game is to make your way over to an ice cream cone on the opposite side of the screen before it melts. On your way, you must avoid the chefs and the food they throw at you. If you walk over a pile of food, you'll be able to pick up a piece of it. Once you throw it, you'll have to pick up another before you can shoot again.
    Food Fight didn't get a lot of home ports; only two to my knowledge. First, there was the 7800 port, which may have launched during the 7800's test launch in 1984, but saw a nationwide release in 1986. Second, there was the XE version which I believe has a 1987 copyright. The XE port is a sad excuse for a game. It is incredibly choppy, and makes 7800 Hat Trick look smooth. It's a shame, too. Sadly, after these two ports we never saw another release of Food Fight in compilations. In order to play it, you'll have to track down a cartridge for the 7800 or XE or just emulate it. It's a real hidden gem worth trying out.
    Well, we did see one rerelease. In fact, it was a completely different port altogether. This version of Food Fight was programmed for the NES for use on the original Atari Flashback in the early 2000's. That version of the Flashback was the only one to use a 7800 design and it even included some of the system's games, Food Fight included. Cool, right? The 7800 needs more love. No, not cool. This is some of the worst "emulation" I have ever seen in my life. The Atari 2600 joystick plug and play from Jakks Pacific a few years earlier also used a similar NES-on-a-chip design, and though it wasn't perfect, it was much better than this. This version of Food Fight was based on the 7800 version rather than the arcade. Kind of reminds me of when the Nintendo arcade games were ported to the 7800 in 1988. Those were based off of their NES counterparts rather than the arcade originals.
    This version of Food Fight is the worst of all. They did almost nothing right. Don't even bother. It's somehow worse than the XE version.
    The 7800 version of Food Fight does what it does really well. It handles a lot of sprites on screen at once and runs much smoother than the XE version. The graphics are a step down from the arcade; Charley Chuck has dots for eyes and the color palette and pixel resolution are drastically reduced. The sound chip is also inferior. But somehow, Food Fight manages to be one of the best games on the system. The gameplay is still there, the instant replays are still there, the music and sound effects are very good for the TIA chip, and you can even choose your difficulty and starting level. The controls are also really good, which is a bit surprising given how the ProLine controller can only let you aim in eight directions.
    If you don't have a 7800, buy it just for this game. It's amazing, and something you won't find in many other places. This is the best version of the game that you can play at home without using emulation. An easy 10/10 game for the system it's on. By far my favorite game on the 7800 so far. Thanks again, @chas10e.
  22. Like
    HDN reacted to 1Littlebeast for a blog entry, Dreamfall Chapters   
    Dreamfall Chapters is an episodic adventure game developed by Red Thread Games and Published by Deep Silver. It came out for PC, Mac, Linux, PS4, and Xbox One. It is apart of the game series The Longest Journey. ( I haven't played the previous games yet but I bought them recently) I discovered this game in 2018 and absolutely fell in love with it. From its Amazing Soundtrack. (Soundtrack YouTube) To its Beautiful Sci-Fi Futuristic level design and environment. (Which I enjoyed exploring every inch of)
    All the way to its core. Its Chose your own adventure style gameplay gives it a high replay value and its story is bound to take you on a rollercoaster of emotions. My friend and I played it roughly at the same time (He started playing a week after I did) and because of choices we made, we had different story's and even a different character. I give this game a 10/10. I have played it multiple times and have had fun every time. If you would like to watch my playthrough of it Click Here. ( Lightning Wolf Corp is a defunct thing I tried if you are curious about it maybe ill make a blog post) You can get the game for $20 on PlayStation and Xbox and $25 on steam. I hope you guys enjoyed my first review I decided not to go to much into the story as to avoid spoilers for those that want to play it. If you want to know more about the story here is the official Website.
  23. Like
    HDN reacted to Atari 5200 Guy for a blog entry, Moon Patrol (Atari 5200)   
    When Moon Patrol hit the local arcade it quickly became one of my favorites. By the time my 11th birthday came I had pretty much faced the reality that games for my 5200 were no longer going to arrive. This would have been in the spring of 1985 and after 1983 showed up the 5200 games seem to have stopped. For two years I kept hoping that I would see a new game for my 5200 show up somewhere. Nope. The only thing I really seen was the sudden rate at which prices were being dropped on anything for my 5200 and some 2600 titles as well. So I was surprised when I unwrapped a brand new 5200 game called Moon Patrol. Where Mom found it I had no clue and I still have no clue but it was the only gift I got that day and that was enough for me. 
    It took everything in me to wait until after my birthday to play Moon Patrol on the 5200. And that time is when I believe I started to pick up the habit (a bad one) how to block out anything else around me to concentrate on a game. And what seemed like a few minutes was actually a couple of hours. The friends I had sitting next to me were no longer there...and, yes, I shared the game with them. I remember taking turns for a while and then it seemed like the asking to play stopped all of a sudden. Other than that my eyes were stuck on the purple moon buggy on the screen, watching for holes and rocks, while firing at enemies.
     



    Just before writing this review up I took some time to play this game again on the 5200 to refresh my memory and to get my mind set on what to write about. The memories of getting this game as a gift came back. The timed reflexes also returned to aide my quest. I managed to make it to "Y" before a second rock caught me off guard after I jumped over a rock while trying to shoot at enemies above me. After that my whole thought process seemed to not want to work any more. I guess you could say I lost my mojo. 



    Moon Patrol is a side-scrolling arcade-style game that is a bit of Space Invaders and a bit of something else. The side-scrolling action is automatic but the player can adjust the speed at which the moon buggy is traveling with the joystick. It's not just the enemies flying down out of the sky that the player has to worry about either; there's rocks (which you can shoot or jump over), holes, mines, robot tanks, and if you manage to make it to the Advanced stage, there is a hovercraft that will attack you from behind. Basically anything possible to destroy you was put in the game...and it actually works well. 
    The player travels from A to Z in five rounds; A to E, F to J, K to O, P to T, and U to Z. As the player progresses the more challenges the player faces. The nice thing about Moon Patrol is that the rounds are pattern-based, meaning that no matter how many games you play the way the rounds are setup will remain the same. Where ever a hole or rock was before it will be in that exact same spot the next time through.
     



    One of the things that I really love about Moon Patrol on the 5200 is the artwork. While it is the same used on the 2600 with the exception of the red sky the 5200 Moon Patrol has the blue sky background to match the system's dedicated color. It's one of my favorite box arts on the 5200...it makes you want to play the game instead of trying to figure out what the artwork is doing. 
    The 5200 version of Moon Patrol does not include a keypad overlay so if you get a complete, or new, copy of this game don't think they are missing. There simply wasn't any made for this game. I will say this; Moon Patrol on the 5200 may require you to use your best working controller. Immediate responses from working controls can make the difference in the overall experience of this game.
     
    Moon Patrol is one of many arcade titles that made it to the 5200 ... and it is a well make port. The graphics, sounds, and controls are good even with the analog controls. It will not disappoint. I couldn't see my 5200 collection being without Moon Patrol and you shouldn't either.
  24. Like
    HDN got a reaction from RickR for a blog entry, Don't go into a dark Alleyway because you won't be able to see your Game Boy screen.   
    This January I finally completed my North American Nintendo Game Boy launch lineup. I have said in the past that I have been collecting games for the original Game Boy since August of 2015, though that's only half-true. In August 2015 I bought my first DMG Game Boy game on 3DS Virtual Console. Not a physical cartridge, though since I did pay money for it, it sort of counts in my eyes. The first game I got on 3DS was not any of the GB NA launch games, rather it was a very late release, Game and Watch Gallery. Later in September I bought the amazing Metroid II: Return of Samus (Lots of backstory about that game) and Super Mario Land, the latter being a launch game.
    I didn't get a means of playing official Game Boy cartridges until Christmas Eve of 2016 when I got my Super Game Boy. Earlier in August while on vacation at Blue Harbor in Sheboygan, WI we were shopping at the only retro game store I knew of at the time. I believe it was called Freaktoyz or something. Anyways they had an SGB there for $15, the exact amount of money I had brought with me on vacation. I was seriously considering it. My dad used to have an original Game Boy in college that my mom sadly threw out in the early 2000's. I assumed he had some of his original games with him still somewhere in the house. I had been on the lookout for them for years since I have always been fascinated by the original Game Boy. I was pretty sure they were somewhere, but as I had been snooping around for them for years at this point I didn't want to risk it, so I opted for StarTropics on NES instead. I kid you not, two days later we were cleaning the basement and what did I find? A cloth bag thing filled with Game Boy games. I couldn't believe it. I had been looking for these for years, and right after I saw a Super Game Boy I found them! Only one of the games my dad remembered wasn't there, that being Centipede and Millipede. I assumed that one was in the Game Boy when my mom threw it out. But all of the other games were there. Here are all of the ones I remember being there:
    Tetris Baseball Play Action Football Sports Illustrated Golf The Legend of Zelda: Link's Awakening F-1 Race So right off the bat I had two of the launch lineup. Plus at that point I had Super Mario Land on 3DS.
    I didn't get another physical Game Boy cartridge until last year because I was never around any game stores (or at least I didn't think I was), but I did get a few more games on the VC, including Tennis. When I discovered my new regular game store, Game Trade in DePere, WI, I had recently gotten a Game Boy Advance system and was getting in to collecting for the Game Boy DMG, Color, and Advance, though mostly the OG. I had gotten some money for Christmas to fuel my collecting. Some of the first games I got were games I had loved on the 3DS VC and wanted to play them on somewhat original hardware. In the clearance bin I saw a very beat up copy of Tennis, so I decided to pick that up. I had enjoyed the game quite a bit on the 3DS and since it was so cheap, why not? When I got home I got on the list for a physical cartridge of Super Mario Land. That was the last physical cartridge I picked up, but today's game, Alleyway, was the last of the GB launch lineup I actually played. I picked that up on maybe my second or third Game Store run for five bucks. 
    Anyway, let's actually talk about Alleyway.

    Alleyway was a launch title for the original Game Boy in North America, Europe, and Japan. Here in the states it launched in 1989. Alleyway is a breakout-style game. Note that I did not say Arkanoid style game. Though this game came out several years after Taito's 1986 classic Arkanoid, which heavily expanded upon the format seen in Atari's Breakout and Super Breakout. Arkanoid added things such as powerups, weapons, and enemies to the mix. Alleyway does away with many of these, though it is still obvious that it was inspired by Arkanoid. For instance, each level is distinct in its layout. Super Breakout had some distinction, but that game did it very differently. Super Breakout's level design was much simpler in comparison and a lot less varied. Plus, to my knowledge you couldn't progress from level to level like you could in Arkanoid and Alleyway. I believe if you beat, say, the cavity screen for instance, you didn't transition to the progression or regular Breakout screens. At least I don't think you could. I've never been very good at the arcade version of Super Breakout or on any home system.
    Like Arkanoid and the earlier Breakout games, different shades of blocks earn you different amounts of points. In this case, the darker the shade of puke-green the more points you will get. The darker blocks also increase the speed of your ball, though it is nowhere near as noticeable as it is in some other block-breaking games. Also like the original Breakout, starting on the fifth stage, if your ball hits the top of the screen, your paddle will shrink in size.There are also some indestructible blocks in the game like those seen in Arkanoid. In short, Alleyway is like a midpoint between Super Breakout and Arkanoid.

    The game's progression consists of three stages using the same basic structure followed by a timed bonus stage. The four-level setup is reminiscent of the world layout of the original Super Mario Brothers on the NES. The first level in an Alleyway "world" is a basic level with nothing going on. The blocks stay still for this level. On the second stage they wrap around the screen horizontally. In this mode it is easy to get the ball stuck in a pattern and wipe out many bricks at once. The third stage appears to not move at first, but occasionally the blocks will descend another step towards your paddle. Nothing bad happens if they reach the bottom; they just disappear. This mode is a straight ripoff of the progression mode in Super Breakout. The fourth mode, as I previously mentioned, is a timed bonus stage. These stages feature cameos of Super Mario characters and items in block form. The player has about a minute (in real time; the seconds on the clock move way too fast) to clear out the entire field. This is much easier than it sounds; the blocks disappear in a Breakthrough style. Though it still can be a little challenging at times. The game sessions in Alleyway tend to last pretty long as I can play for quite a while without Game Over-ing.
    The sound and music in this game are quite nice. This early Game Boy title takes full advantage of the stereo headphone jack, providing some great musical ditties. The title theme especially gets stuck in my head. I also enjoy jingles between levels, before the bonus stage, and during the bonus stage. I really dig the music in this game. The sounds are your typical Breakout sounds. The Game Boy tries its best to provide an echo effect on some of the block-breaking sounds. I thoroughly enjoy the music and sound in this game and highly recommend using headphones while playing.
    The packaging of the game is also very cool. I like the behind the paddle perspective and the stellar color palate. It really gives of that intergalactic vibe. I don't know what it was with Breakout games and outer space. Super Breakout was about the interstellar adventures of... was it Captain Jack Chang? I remember it was Captain something Chang. Arkanoid also has a space theme, where you control the spacecraft Vaus jettisoned from the mothership Arkanoid after it was destroyed and caught in a space warp. This game appears to take place in outer space as well, though with a twist. The pilot of the spacecraft is none other than our man Super Mario. Or maybe just Mario, as the opening cutscene of the game shows a sprite of Mario hopping into the paddle that appears to resemble his pre-Super Mario Brothers appearance. He looks like a bootleg version of himself. Oh, early Game Boy graphics with your tiny, creepy little sprites...
    Game Theory time: What if this game was the inspiration for Super Mario Galaxy? I mean, they both take place in space. Maybe that's a bit of a stretch.

    Even when this game was first released in 1989 it was an incredibly basic and simple take on the genre. It didn't have the little nuances that made Arkanoid so great. It didn't even have a single powerup in it. If this game were released at any other time than at the very start of the first mainstream portable game system's life, it would have been laughable. But the Game Boy was a new concept for most people. Sure, the Microvision and Adventurevision predated the Game Boy by several years, and the former predated it by a good decade, but those consoles were for the most part failed attempts at bringing the console and arcade experience on the go. Plus, I feel that Alleyway was a good way at getting more casual non-gamers to play the Game Boy. Compared to the NES, Nintendo's handheld system offered a much more all-inclusive experience with typically easier and simpler game experiences. Tetris sold many systems to the non-gamer crowd, and Alleyway probably had a few copies bought by those Tetris players.
    So why play Alleyway now? This game has nothing to set it apart from the crowd. There are much more complicated and engaging Breakout style games out there nowadays, so why pick this one? I'll tell you why:
    The controls.
    In all of my life, I have never played a better controlling Breakout style game that uses a D-Pad. The controls this game has are second only to the paddle controllers seen on the 2600 and other potentiometer-based knob or dial controller. The control you have over the game's paddle is exceptional. I have played many other Breakout games with digital-style controllers, like Arkanoid on NES, 1001 Blockbusters for DSiWare, and others, but nothing comes close to controlling better than this game. The paddle moves at the absolute perfect speed for the game. It's honestly hard to explain how good it feels; you need to play the game yourself. If the paddle's base speed is too fast or too slow for you, never fear. The face buttons are here! In this game, the A button will "accelerate" the paddle while the B button will "break". That's how I remember their functions. Though I don't often use the face buttons in the game, they can come in handy in the later levels.
    So how would I rate this game out of ten for the system it's on. Sadly, I have to put it pretty low as there are so many better games on the system like Metroid II, Link's Awakening and Super Mario Land 2. If I had to I would probably rate it a 6/10. The game is really good, but there are so many other games on the Game Boy that are better. Though I rated it somewhat low, I still recommend picking it up. It's not in very high demand. The controls are exceptional enough to make the purchase worth it. The controls alone turn this game from yet another boring Breakout clone I played to one of my favorites in the genre. All in all, Alleyway is a game I love to "Breakout" and play a few rounds of from time to time.
  25. Like
    HDN reacted to Atari 5200 Guy for a blog entry, Lunch Time With BurgerTime   
    The almighty hamburger.  A hot sandwich starting with a beef patty, topped with trimmings like lettuce, tomatoes, and cheese, and smothered with ketchup and mustard.  A monetary staple for fast food drive-ins and a popular item to cook for some outdoor grillin'.  It's also one of the easiest food items to cook where almost anything on it will compliment it.  Almost.  That is until you come across evil food.  Hot dogs, eggs, and pickles are tired of being on the menu and have gone on strike!  That is the formula it takes to have a little video game called BurgerTime.
    The object of the game is to guide a chef, named Peter Pepper, through various mazes.  Each maze contains scattered ingredients that make up a hamburger which has to be assembled on plates at the bottom of the mazes.  Making hamburgers should be easy, right?  Wrong.  To add salt to a wound our chef is constantly being hunted down by food whose only goal is to stop chef from completing his mission.  The only weapon at your disposal is the almost empty pepper shaker that was grabbed at the last minute.
    For a simple sounding concept BurgerTime is anything but simple.  One false move or turn will have our chef meet his demise instantly.  And no matter which way our chef goes the food will not be far behind.  Our chef gets very little no time to stop and get a heading on where everything is.  Even stopping for a split second will end up with him being cornered with no where to run.  Hit them with pepper and he can slide by.  Catch one on a hamburger part when you make it fall will take that evil food with it for a long ride.  Want an egg on your burger?  Catch one between all the layers of the burger and it becomes part of the burger.  Pick up the desserts and side items that pop up to gain extra pepper.  
    Originally developed by Data East and released in North America by Bally/MIDWAY BurgerTime is one of those games that's a bit of an odd-ball.  Out of all the video games made there hasn't been another game that has tried to imitate or use a similar formula that makes BurgerTime tick.  My Arcade managed to cram all that into a miniature arcade cabinet that's as much fun to play as it is to look at.  But is it any good?
    On the outside BurgerTime's cabinet contains artwork that is inspired by the original but not 100% accurate.  For whatever reason the chef on the sides has an "H" on his hat where as the original chef on the real deal has a "P" for Peter Pepper.  I'm not quite sure what the "H" is all about unless his name is Hamburger Harry.  Maybe Peter got fired and Harry took his place?  Your guess is as good as mine.  At least all of the artwork fits together nicely.
    All of these My Arcade Micro Players made to date remind me of the NES standard controllers with a removable joystick handle.  With that you have a D-Pad/joystick combo that tries to act as a four-way joystick from the arcades.  The two smaller buttons are to Start and Reset the game.  The Start button doubles as a pause button for times when you need a break.  For some odd reason there are two pepper buttons.  Well, should one button fail there is a back-up.  
    Even though it uses the NES version of BurgerTime it's still a blast to play but BurgerTime on this unit is very unforgiving and very fast paced.  Before you know it food will be on top of you in the blink of an eye.  I have not managed to see if all the mazes from the arcade are here but I did manage to see five of them.  Getting that far was not an easy task at all.  Concentration is definitely the key to getting anywhere in this game.  You can sometimes trick enemies to go one way while you take off in another direction.  But not always.
    BurgerTime has its place in video game history as one of the most original and iconic designs of all time.  No matter how unforgiving this game gets its addictive and hard to put down.  It is for me anyway.  We hear more about Pac-Man, Dig Dug, Centipede, Frogger, and other popular games from the same era than we hear about BurgerTime.  And these attractable micro arcades I have found hard to resist.  My only wish is that they would have used actual arcade ROMs.  BurgerTime takes its place next to my other micro arcades where it will be enjoyed time and time again.  Not a bad way to preserve some of the arcade games my generation grew up with.
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